I have had experience only with the Pentax 55-300 and the Tamron 70-300. I have a copy of both, and have tested other copies, but use the Tamron. I miss the focus clutch, non-rotating front element, generally snappier contrast, and (especially) the 15mm on the low end of the Pentax, but my copy of the Tamron is more consistent across the frame. The Tamron macro mode at 180mm is handy, although both lenses work fine with an achromat as well. The Pentax has more trouble with AF, but it has that focus clutch, so you can more easily help it by getting it close, and then revert to AF. Obviously the Tamron covers full-frame, although the performance on FF might be fairly awful at the edges/corners. My current copy of the Tamron isn't perfect, in that the mid-range is very slightly soft near the right edge (I'm not sure it was always that way, actually, since it took me over a year to notice it, even after extensive testing), and of course you get purple fringing, particularly at the longer focal lengths, in certain conditions. The Tamron would probably be a horrible lens for photographing a bird against a white sky, for example, which I tried once. Software can come to the rescue to some extent, but not entirely.
When you read objective reviews, none of these consumer zooms has outstanding performance, and they just aren't that much different from each other. But with K-mount, the only other (current) game in town, besides the giant f2.8 zooms (really a different category) is the Pentax 60-250, which I'm reluctant to pay for because of the pitiful warranty and service, the greater size/weight, and my limited need for f4 (or even f5.6.) I find f8 (at the shorter lengths) or f11 (at the longer lengths) provides good-enough-for-me performance with these lenses, although often I use even smaller apertures (sacrificing some sharpness to diffraction) for more depth of field.
My main suggestion for these - and actually most - lenses would be that for general photography, the quality of the copy you have will matter far more than whether you choose Pentax vs. Tamron vs. Sigma. When you get a real clunker (several of my grossly decentered Pentax 55-300s, notably), it's obvious, but most lenses will still have some slight manufacturing variations that can still amount to more than the performance difference between brands/models. I don't think there's really any excuse for that being the case, especially not with $1000+ lenses, but it is what it is. I guess lens manufacturing tolerances haven't fully caught up with sensor technology in that what might have been good-enough in the 6mp era just isn't good-enough today. I'm resigned to having to do some QC myself on these $200-$400 lenses, but when you get to a DA* or something, it seems like somebody at the factory should be doing that for you.
Oh, I forgot to mention the Pentax 50-200mm. If you're looking for a huge improvement with these 300mm lenses, I'm not sure it's going to be there. A modest improvement at some focal lengths, maybe. At 200mm or so, yes, I think the fact that that's more mid-range for the 300mm lenses helps them out. Plus with the Tamron and Pentax 300s, you've got an extra half-stop or so at those ranges, which might matter to you.
Last edited by tibbitts; 04-25-2015 at 08:32 AM.
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