Good answers already. I guess its all of the above.
a) to allow for changes in material size due to temperature, pressure variations (these could potentially even push infinity out of the accessible range)
b) to allow AF to run to actual infinity without violently hitting the hard stop (and to let AF overshoot without problems)
c) to save costs from having to spend a lot of time on each lens precisely calibrating the focus ring
What you have to do is figure out where true infinity is
on your lens mounted
on your camera. Then you can remember where to focus, just before the infinity sign or just after or right in the middle..
Originally posted by Paul the Sunman But with the D FA*70-200 there's about a 30° throw of the focus ring that is all denoted as "∞", which seems an excessive allowance for "sample variation".
Might be because Pentax expects people to use that lens mostly near infinity, so having the option of precise control in that range might be more important. Just like many film lenses used to have a very long focus throw in a certain range, so you could focus accurately to the millimeter. Or macro lenses, which have a lot of focus throw devoted to the macro range
But I do agree with you that 30 degrees seems like a lot. I don't have that actual lens, the answers I listed are generic, as we have had plenty of threads where people asked about true infinity on various DA lenses. Is it really 30 degrees? It seems sensible enough in the sample photo here:
https://www.pentaxforums.com/lensreviews/hd-pentax-d-fa-70-200mm-f28-ed-dc-aw.html
Do note that the lens has Quickshift technology. On some lenses that means the focus ring can be manually turned on and on