Originally posted by MD Optofonik The images I've seen using the bold mono setting I like and they are partly responsible for this post. After waiting on the Fotodiox adapter for way too long (I finally cancelled it today) I caved in and bought the Q "primes" and am going see for myself. I'll probably just order the Pentax adapter from B&H this week if I can't find one used; they don't seem to go up for sale very often.
I love my Q-K OEM adapter, it was a little pricier, but it's solidly built and really smooth. I have had issues with the shutter not resetting for me recently, and don't know if its a Q7 issue or not, may have to look into that further.
Quote: I've heard conflicting reports about VSCO's grain distribution between tonal ranges being realistic or not. What do you think so far?
The grain distribution can be really messy sometimes. I find I just turn the grain off most of the time, or lower it. There's two parts to VSCO when using it with Lightroom, there are the camera profiles, which are usless with Pentax cameras, and then there are the preset actions.
The camera profiles, which really only work with Canon and Nikon are what I use with my D800 as a basis and typically ignore the presets. They work very well and just adjust the colors to match. So I will use Portra 160 (my favourite film) in the camera profile and use it as a starting point for my edits.
With the plugin settings I will flip through based on what I want out of the image. So if I'm looking for something with a lot of greens and muted neutral colors I will look at the Fuji Velvia presets. Flip through them until I see something I like as they got numerous presets for each film speed. The film speed presets don't just adjust grain as the vibrancy and color balance can differ from 100 to 400 for example. I then will go straight to the "grain" slider in the develop module and take it right back to 0. If I want grain I'll add it back in, and only if I feel it will add to the image. Once I take the grain out I use the white/black sliders to balance the histogram and then go through my usual editing process from there. Really I just want the colour balance profiles of the film presets.
not from Q, but this is an example of how my final results come out with the VSCO and Lightroom technique I described above.