For starting out, your best bet is probably to find a couple of manual teleconverters, take the glass out and use them as extension tubes. I used a couple that didn't get acceptable pictures, they have the mechanical connection to let the aperture work properly and do an excellent job. You can find extension tubes, but usually more costly.
You can also use a lens reversing ring, but I know nothing about them. I used some good tape to put two lenses together, one attached to the bayonet mount in the normal way and the other reversed, worked pretty well but was just a temporary measure to try it. Seemed to work OK but I didn't use it a good while and really get to know what it was capable of.
Use the search box at top right and search for macro, you should get some good links, this is a pretty common question. I think the most common recommendation will probably be extension tubes.
The A50mm lens should do a very good job, I have the same lens and love it, basically any of the 50mm versions will do great with extension tubes. The only issue will be that the extension tubes (and the teleconverter method I suggested) probably won't have the electrical contacts to allow the lens to communicate with the camera, so you'll have to set the aperture manually, rather than with the rear thumbwheel the way the A series lens usually works. It will still work great though, I use mine both ways.
Also be aware, your working distance will be only a few inches. I was using my M50mm f1.7 yesterday on some very small flowers, with 30mm of extension tube I was no more than 3 inches from the flowers. That means insect shots will be pretty uncommon, but stationary subjects sghouldn't be much trouble.
For what I do it's usually not possible, but a tripod is very useful, you'll find it really easy to get a lot of camera shake. I try to rest my left hand on a knee or the ground to help with stability and let the camera rest on a finger to help hold it steady. A flash might help a lot too, unless you have very good lighting. I use a white card to reflect the flash downward onto the subject since it fires above and beyond my subject. Mine also has adjustable power levels, even at f16 and ISO100 full power results in highly overexposed shots.
Speaking of aperture, you won't have much depth of field at all, so I usually try to keep it at f11 or f16 to get a little depth of field. Sometimes I'll go to f22 but then you risk getting into aberrations, but usually I don't have too much of that to worry about. So normally I stick to f11 or f16 and get pretty good results.
Finally found it, here's a thread with a lot of good info, should answer a lot of questions about macro options.
https://www.pentaxforums.com/forums/54-pentax-lens-articles/152336-cheap-macr...lose-work.html
Here's an example, I took this yesterday using the M50 f1.7 lens with 30mm extension tube made from an old teleconverter. Flash at 1/4 power, reflected with a card, f11, ISO100. This flower is slightly bigger than a pencil eraser.
That's the kind of results you can expect with just about any 50mm lens and extension tubes, after a little practice to get the hang of it. Also take a look at the Tiny Flowers thread, you'll see loads of excellent shots taken using different macro options, and pretty often folks willl list what equipment was used.
https://www.pentaxforums.com/forums/26-mini-challenges-games-photo-stories/10...y-flowers.html
Last edited by Paleo Pete; 04-20-2014 at 05:33 AM.