PentaxForums.com  

Go Back   PentaxForums.com > Pentax Photography > Pentax DSLR Discussion

Pentax DSLR Discussion Talk about Pentax Digital SLR technique here, including the *ist D series, the K100D series, and the K10D, K20D, and K200D models.

Reply
 
Thread Tools Search this Thread Display Modes
Old 06-22-2008, 03:21 PM   #1
Loyal Member
 
cputeq's Avatar
 
Join Date: Apr 2008
Gallery Photos: 0
Posts: 453
How important are tripods to picture fidelity on fast exposures?

I've been reading around different articles, etc, and while people mention tripods are good, it's usually in the context of using very slow shutter speeds, panning, or portrait setups, etc.

--------

Recently, though, I read (somewhere) a quote from Leica saying someting to the effect of "98% of DSLR photographers are people that use AF lenses and don't use tripods" or something around that general area.

This got me thinking about the "pro" landscape photographers, etc. It seems all of them use a tripod to set up the shot.


Now, on slow shutter speeds, of course I can see this situation. But, I have this nagging feeling to get the best shot, they always use a tripod and mirror-up when shooting.


Am I just imagining things? Am I reading into something that isn't really there?

I've always thought that, let's say I have a 25mm lens and I have a 1/300 shutter that it would be fine, and why use a tripod?

But I have a suspicion that even then, the pro would end up using the tripod and mirror-lock to enable the best photo possible.

Is this true, anyone? Or are tripods (in regards to shutter speed) only used for the longer shutter times?

Does a slightly perceptible amount of camera shake actually enter photos at "adequate" shutter speeds?
__________________

My Flickr Page

Pentaxian at heart.
cputeq is offline   Reply With Quote
Old 06-22-2008, 03:38 PM   #2
Site Supporter
 
morfic's Avatar
 
Join Date: Feb 2008
Location: San Antonio
Gallery Photos: 3
Posts: 412
They may take more time to align the horizon, and use the tripod to be able to pan around for stitched panoramic shots.

Plus they may not shoot as wide as we assume they are, and at ISO100, plenty stopped down.
__________________
K20D, Super Program, DA 70/2.4, Sigma 30/1.4, Sigma 17-70, Tamron 70-300 Di LD, Vivitar SMS 28/2.8 Close Focus, Mecablitz 48 AF-1
morfic is offline   Reply With Quote
Old 06-22-2008, 03:41 PM   #3
Loyal Member
 
Join Date: Mar 2008
Location: Nowhere, Sweden
Gallery Photos: 3
Posts: 594
Originally Posted by cputeq View Post
I've been reading around different articles, etc, and while people mention tripods are good, it's usually in the context of using very slow shutter speeds, panning, or portrait setups, etc.

--------

Recently, though, I read (somewhere) a quote from Leica saying someting to the effect of "98% of DSLR photographers are people that use AF lenses and don't use tripods" or something around that general area.

This got me thinking about the "pro" landscape photographers, etc. It seems all of them use a tripod to set up the shot.


Now, on slow shutter speeds, of course I can see this situation. But, I have this nagging feeling to get the best shot, they always use a tripod and mirror-up when shooting.


Am I just imagining things? Am I reading into something that isn't really there?

I've always thought that, let's say I have a 25mm lens and I have a 1/300 shutter that it would be fine, and why use a tripod?

But I have a suspicion that even then, the pro would end up using the tripod and mirror-lock to enable the best photo possible.

Is this true, anyone? Or are tripods (in regards to shutter speed) only used for the longer shutter times?

Does a slightly perceptible amount of camera shake actually enter photos at "adequate" shutter speeds?
Pro landscape photographers most likely use multiple exposures and long exposures, with greyfilters, polarizing filters etc. They most likely want to stand a bit behind the camera and use a remote too, to have an overview of the landscape they are shooting, which is alot easier then thru the viewfinder. Also they often use panoramas, which obviously also need a good tripod for perfection. Even if it is doable without it.

But yes, still, the blood in your veins that are pulsating are vibrations enough to shake the camera or gun, whichever you prefer. If it happens at the wrong time, it might affect the image, on the other hand at speeds of 1/300, you need to be unlucky, but its safer to use a tripod.
__________________
My Flickr - Takumar forums
PENTAX K10D, Spotmatic
Asahi Auto Takumar 85/1.8 - Asahi Takumar 105/2.8 135/3.5 - Asahi Super Takumar 20/4.5 50/1.4 55/1.8 85/1.9 105/2.8 135/3.5 150/4 200/4 - Asahi S-M-C Takumar 35/3.5 300/4 - Asahi Macro-Takumar 50/4 100/4
Zewrak is offline   Reply With Quote
Old 06-22-2008, 03:44 PM   #4
Loyal Member
 
cputeq's Avatar
 
Join Date: Apr 2008
Gallery Photos: 0
Posts: 453
Hrm, thanks for the answers everyone. I guess I'll start saving for a tripod
__________________

My Flickr Page

Pentaxian at heart.
cputeq is offline   Reply With Quote
Old 06-22-2008, 04:16 PM   #5
Loyal Member
 
Join Date: Jan 2008
Location: Ste-Anne des Plaines, Qc., Canada
Gallery Photos: 0
Posts: 731
Another point to consider. A tripod will force you to work more slowly, so you take more time to think about composition, and you will also take time to check for all the objects that might appear in the picture and cause distraction. You are also more likely to check the edges of the frame to make sure nothing is intruding in "your" picture, so you don't need to crop, thus retaining all the pixel count of the file.
flyer is offline   Reply With Quote
Old 06-22-2008, 04:49 PM   #6
Loyal Member
 
Join Date: Mar 2008
Location: Nowhere, Sweden
Gallery Photos: 3
Posts: 594
Originally Posted by cputeq View Post
Hrm, thanks for the answers everyone. I guess I'll start saving for a tripod
YES! By far my best buys (Except for the camera) has been the tripod and the M42 adapter. (third is the R-Strap)

It makes ALL the difference. If your strong enough to carry it around.
__________________
My Flickr - Takumar forums
PENTAX K10D, Spotmatic
Asahi Auto Takumar 85/1.8 - Asahi Takumar 105/2.8 135/3.5 - Asahi Super Takumar 20/4.5 50/1.4 55/1.8 85/1.9 105/2.8 135/3.5 150/4 200/4 - Asahi S-M-C Takumar 35/3.5 300/4 - Asahi Macro-Takumar 50/4 100/4
Zewrak is offline   Reply With Quote
Old 06-22-2008, 05:26 PM   #7
Site Supporter
 
Join Date: Jan 2008
Location: Seattle, Washington, USA
Gallery Photos: 5
Posts: 747
I usually use a tripod (no SR, natch), or at least a monopod with SR switched on. The comments above cover most of the reasons. Here's one more: I live in Starbucksville, and usually have a couple cups o' joe a day. That's enough buzz to further destabilize my middle-aged hands, and I compensate by substituting the sticks whenever possible, regardless of shutter speed and SR. If it's worth shooting, it's worth shooting as well as I can manage!
__________________

All my relations, Christine
Cameras: K10D w/D-BG2; Asahi Spotmatic
Lenses: DA 18-55mm, DA* 50-135mm; 28, 35, and 50mm SMC Takumars, 80-200mm Tokina
christinelandon is offline   Reply With Quote
Old 06-22-2008, 05:41 PM   #8
Loyal Member
 
Join Date: May 2008
Location: San Jose, Costa Rica
Gallery Photos: 7
Posts: 375
Using tripod for landscape has a lot of sense. Just think that even though a wide lens will be used, every subject will also be "at infinity" focusing point. Such condition may not mean much, but think that DETAILS would be very small and as little camera shake will do harm to such detail. Also, lanscape photography is all about not only detail, but also about light. The photographer would not be able to "judge" de general light conditions through the viewfinder, as it would be from behind the camera. Think about a not so clean sky, where the sun is momentarily blocked by passing clouds. In this situation, the photographer may prepare framing, focus, etc and just wait for the right moment of "light". One last thing (iI guess it has been mentioned before), going back to "detail", it also means low ISO and closed down lenses.... meaning, long exposures (maybe a 1/30 sec does not sound long enough, but any vibration during a 1/30 sec exporue, will surely add a slight blurr to very fine details (tree leaves on windy days for example).

There would be many more reasons to justify tripod use for landscape photography, but at least this and some other reasons mentioned above are more than enough reason to get a good tripod.

RB
__________________
Robert B.

************************************************** ********
"Resistance is futile. You will be absorbed by the collectivity" (Bill Gates)
rburgoss is offline   Reply With Quote
Old 06-22-2008, 05:45 PM   #9
Site Supporter
 
Venturi's Avatar
 
Join Date: Mar 2008
Location: Tulsa, OK
Gallery Photos: 4
Posts: 815
Originally Posted by flyer View Post
Another point to consider. A tripod will force you to work more slowly, so you take more time to think about composition, and you will also take time to check for all the objects that might appear in the picture and cause distraction. You are also more likely to check the edges of the frame to make sure nothing is intruding in "your" picture, so you don't need to crop, thus retaining all the pixel count of the file.
That's where I was heading. Using the tripod - just using it - makes me pause and think about the shot more than if the camera is merely cradled in my hands. You said "force" I would merely counter that it allows you to work a more slowly, or patiently. With camera mounted on the tripod you can step back a second and examine the shot again and fine tune the composition mentally without starting over when you take your eye away from the view port.
__________________
- Jim
Resident Pain in the Aperture


My Gear
Venturi is offline   Reply With Quote
Old 06-22-2008, 06:00 PM   #10
Loyal Member
 
Join Date: Jan 2008
Location: Ste-Anne des Plaines, Qc., Canada
Gallery Photos: 0
Posts: 731
Originally Posted by Venturi View Post
You said "force" I would merely counter that it allows you to work a more slowly, or patiently.
I apologize for the fine semantic user in the forum, but being a French Canadian brings it's limitations. Sometimes, the words I use are not 100% what I mean. I just hope nobody will hold that against me in a trial.
flyer is offline   Reply With Quote
Old 06-22-2008, 06:17 PM   #11
Loyal Member
 
Wheatfield's Avatar
 
Join Date: Apr 2008
Location: The wheatfields of Canada
Gallery Photos: 0
Posts: 977
Originally Posted by cputeq View Post


Now, on slow shutter speeds, of course I can see this situation. But, I have this nagging feeling to get the best shot, they always use a tripod and mirror-up when shooting.


Am I just imagining things? Am I reading into something that isn't really there?

I've always thought that, let's say I have a 25mm lens and I have a 1/300 shutter that it would be fine, and why use a tripod?

But I have a suspicion that even then, the pro would end up using the tripod and mirror-lock to enable the best photo possible.

Is this true, anyone? Or are tripods (in regards to shutter speed) only used for the longer shutter times?

Does a slightly perceptible amount of camera shake actually enter photos at "adequate" shutter speeds?
I always notice an improvement in sharpness when I use a tripod and mirror lock, irregardless of lens in use, or shutter speed chosen.

Also, if you can mount the camera body to the tripod rather than using a lens mount attachment, you will get sharper pictures.

Something to remember, your highest shutter speed is your X-Sync speed. No matter what the speed is set to above X, the exposure takes the X-speed time to complete.
Wheatfield is offline   Reply With Quote
Old 06-22-2008, 06:56 PM   #12
Site Supporter
 
Join Date: Jan 2008
Location: Munich, Alps, Germany
Gallery Photos: 18
Posts: 1,220
Originally Posted by Wheatfield View Post
the exposure takes the X-speed time to complete.
I guess that this is a no issue in "pro" landscape photography.

However, the rule of thumb (shutter speed = focal length or faster) comes from the age where depth of field was computed for a circle of confusion of 0.03mm. While this still holds true for print outs, it won't satisfy a 100% pixel peeper anymore.

The K20D, for instance, has a pixel size of 0.005mm and is 6 times smaller, corresponding to 2.5 stops.

While this is quite well covered by shake reduction giving an extra 2-4 stops, I don't actually know how precisely it works. Maybe not precise enough to nail every pixel down.

So, the save bet would be to have shutter speed = 5-10 x focal length or faster. If you can't achieve this, a tripod may actually lead to extra sharpness.
falconeye is offline   Reply With Quote
Old 06-22-2008, 07:26 PM   #13
Senior Member
 
Join Date: Mar 2007
Location: New York
Gallery Photos: 0
Posts: 123
Originally Posted by rburgoss View Post
.... meaning, long exposures (maybe a 1/30 sec does not sound long enough, but any vibration during a 1/30 sec exporue, will surely add a slight blurr to very fine details (tree leaves on windy days for example)....
Perhaps I misread your intent here but I'm sure you know that a tripod won't help freeze any motion in the subject. Slow shutter speeds are often a problem with landscape photography when windy days causes blur in foliage. Unless, of course, that's an effect you are going for.

On the other hand, camera shake (sans tripod) and/or mirror slap can cause blur in everything in the image, regardless of the weather.

Richard
Old Timer 56 is online now   Reply With Quote
Old 06-22-2008, 07:30 PM   #14
Senior Member
 
Join Date: Mar 2007
Location: New York
Gallery Photos: 0
Posts: 123
Originally Posted by Wheatfield View Post
Something to remember, your highest shutter speed is your X-Sync speed. No matter what the speed is set to above X, the exposure takes the X-speed time to complete.
I must be getting old because I don't understand this statement at all. Could you explain?

Richard
Old Timer 56 is online now   Reply With Quote
Old 06-22-2008, 07:46 PM   #15
Loyal Member
 
OniFactor's Avatar
 
Join Date: Nov 2007
Location: Binghamton, NY, USA
Gallery Photos: 0
Posts: 648
Originally Posted by Old Timer 56 View Post
I must be getting old because I don't understand this statement at all. Could you explain?

Richard
above 1/180th, the frame is exposed by a 'traveling slit' instead of having the entire film exposed at once
__________________
Pentax K110D|DA 18-55 f/3.5-5.6|DA 50-200 f/4-5.6|SMC A 50 f/2
Minolta 700si|KM 35-70 f/3.5-4.5|KM 70-210 f/4
boxcarphotography.info
OniFactor is offline   Reply With Quote
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes



All times are GMT -7. The time now is 12:17 PM.

vBulletin Copyright ©2000 - 2008, Jelsoft Enterprises Ltd.