Here are my impressions on the new DA 55-300 after about a week with it:
Design and Construction
DA 55-300 is a very well designed lens. Construction is very solid and the lens is assembled with very tight tolerances making operation very smooth.
Zoom ring is very tight and requires solid push to rotate it. This is good since DA 55-300 will not zoom in or our on it's own: I was having my camera mounted on monopod and walking with the lens pointing down does not result in a focal length change at all. You simply can not "shake it" to a different focal length. One interesting thing though is that while operating zoom ring the sound it makes reminds me of a sound you would produce by scratching a nylon jacket or bag with your fingernail, but I have checked other lenses in the store and confirmed with Ed, and it is apparently normal. Well, something must create all that friction, although I believe this will loosen up a bit with use to just the right friction.
Focusing ring rotates about 180 degrees from infinity mark to 1.4m. Very unusual long throw for AF lenses but results in VERY precise manual and auto focusing. Good design! Since DOF is so shallow that is really necessary. Don't be surprised though by noisy focusing ring while manually focusing: although it turns smoothly you can hear all the gears turning inside. Again, it appears to be normal.
Fully extended at 300mm lens barrel almost does not wobble and lens still feels very solid. Thanks to much thicker barrel and differently design lens hood DA 55-300 looks much better than somewhat "skinny" and "shaky" DA 50-200. (And honestly, I always hated that paper cup looking lens hood on DA 50-200.)
Optical Quality
And here is the best part: DA 55-300 appears to be an
exceptional lens! Sharpness is very good at all focal lengths and apertures and very uniform across the frame. A big plus! I took several shots of the brick wall at apertures from wide to f/11 and I am not sure there is any practical improvement so I discarded stopped-down tests since wide open is good and as good as stopped down. Just amazing! Once Photozone review is up I believe that Klaus will confirm this. (If he does not get a defective sample!) I am not sure, but there may be even slight improvement towards the 300mm end where this lens really excels, but this is not to say that 55mm is poor. So shoot at any aperture and any focal length with confidence. No worries: there is no need to stop down or avoid some focal lengths for optimal quality.
Very light chromatic aberration and purple fringing do exist, but you'll need to work really hard to see them! I did not feel any need to correct anything. You'll need 100% magnification to see some purple fringing (almost only traces) in most contrasty situations. Color rendering and contrast are very good, flare resistance also. There is slight vignetting but you'll need really uniformly lit surface to clearly see it. All in all: very good!
The most interesting capability is 1.4m closest focusing distance, opening the possibility for close-up work. With excellent sharpness wide open and pleasing bokeh, 300mm at 1.4m can replace your macro lens in most situations. If you are after portraits of spiders and bees you may need 1:1 macro, but for anything bigger than that DA 55-300 will do just fine.
Sample Images
Here are some sample images. All are taken with *istDS, meaning no SR! Trust me, it is EXTREMELY hard to stabilize the camera at 300mm so I guess SR would help a lot. I have used my monopod for some shots, some are handheld. I was trying to shoot wide open but check data (EXIF included) and remember there is no difference in sharpness. All photos are processed in Adobe Lightroom 1.4, resized in Photoshop 7 with light sharpening (USM 150%, 0.3px) to compensate for loss in resolution. However, 100% crops are NOT additionally sharpened. Here we go:
100% crop:
This guy was about 5 meters (15ft) away from me, at 300mm. Horizontal shot cropped to vertical, but with no reduction in vertical size:
100% crop:
This bench was about 30m (100ft) away, taken at 230mm:
Here is what you can frame from about 3m (10ft):
The same distance, one more time:
And this is about as close as you can get at 300mm and 1.4m:
Bottom line: HIGHLY RECOMMENDED!