Just started happening on saturday. Zoom gets stuck at 28mm coming in from 50mm, gets unstuck, and goes through (after some rocking back and forth) now, i noticed, it's stuck at 19mm and wont go all the way to 16mm. i dont want to force it. sometimes still get caught up in 28mm. IQ on it is great. now i fear i have to send it back to Pentax......
The first two DA*16-50mm lenses I had did have significantly more resistance at 28mm only zooming from either direction - almost as if there was hump to get over. My third and best one (but still not satisfactory) exhibited the same resistance at 28mm symptom, but to a much lesser amount. However, in all 3 cases the lens would zoom throughout its entire range. Maybe I just did not have any of them long enough.
I'm beginning to think there are 3 types of DA*16-50 people.
In decending order of number:
1) People who own one but do not know there is a problem with it (yet)
2) People who have had the lens (maybe several) and have given up due to a multitude of QC and design problems.
3) The merry privileged few that actually got a good copy, and know it.
A lot has been said, in this and other forums, about problems with the DA* 16-50. Softness, chromatic aberration, focusing issues, lemons... This lens just got a bad reputation, which is probably making some potential buyers look for alternatives.
I actually got a 16-50 for my K10d a few months ago and was initially a bit apprehensive about having made a bad choice. I have been using it as my walkaround lens (I also have a DA* 50-135, but I use it only in particular occasions). I now believe this is a good lens with a reasonable price tag. Ok, it isn't the sharpest lens ever and CA is definitely an issue, but it takes more than shapness tomake a good photo and CA is easily corrected by software. I think this is a versatile, fast and well built lens.
QC issues have been mentioned as the reason for some of the problems, but I'm wondering whether some of the complains have a psychological factor behind them, influenced by all the bad comments.
I'm posting a few shots from my August trip to some of the Azores islands, taken with this lens. All photos were RAW-processed in Silkypix in the following manner (I do this procedure with all the photos I keep, independently of the lens used):
- CA correction.
- Cropping/rotation for improving composition.
- Tone curve adjustment for exposure tuning.
There are no award winners here, just vacation photos. Any comments are welcome. I think it would be especially interesting to know the feelings of other DA* 16-50 owners on this lens.
I find the same thing happens to some of my stuff on the site as well.
As for the lens, I've bought and returned one. but that was 8-9 months ago and we hear a lot less about the BF issues now. I'm certain that a few might be just user worries/error but most were real world problems.
The DA16-45mm I got to replace the 16-50mm is so good that I feel no desire to replace that lens. It's sharp and compact. WS isn't enough reason to take a chance again for a lens that optically may be no better and might be worse. My DA16-45 gets a ton of use and I've had it out in pretty rough weather without any issues.
Some softness, but i guess thats because you have the aperture quite far open so the focus is small. Number 2 is a stunnner, and you got some great exposures there.
did you resize these photos? you might want to optimize them for web, they look real soft/out-of-focus on my screen
Yep, I uploaded the photos with a larger size and they were automatically resized, thus the softness. I should have noticed that! This way the post ends up missing the point. Sorry about that.
one problem is people not taking into account the curvature of field.
if you take a test at 16mm at 2.8 of a flat object like some newspaper, the edges will not be great because the depth of field is not actually a flat plane. of course this field curvature is not a good thing, but it is common in many lenses