In another thread that I can't find now, someone asked if there could not be a "lens comparison" between, essentially, all the lenses that come up in discussion. Well, I can't do them all, but I do have 3 that pop up a lot in posts.
I'm out of upload space, so I have to give these links. All shots are at f8 and are cropped from about the central 1/8th of the image.
The first is the Sigma 18-50 f 2.8 EX DC ($375) versus Pentax 50-200 ($229 - 50 rebate) at 50mm:
I paid $199.99 CDN + 7% tax at London Drugs with no rebate last December. In Quebec for you that would be plus 15% tax which put both within a couple of dollars.
I paid $199.99 CDN + 7% tax at London Drugs with no rebate last December. In Quebec for you that would be plus 15% tax which put both within a couple of dollars.
I bought it online from camera canada, so its located in ontario,
only had to pay 6% fed tax, but 15$ shipping extra..
216$ total, very good price for what the lens is!
(186$ USD shipped at my door)
I think tha Sigma or Tamron solution is much better than pentax:
1.They are FF lenses, so not dark areas at the edges.
2.Compatibility with past, current and future bodies
3.Better macro capabilities.
4.Better built quality.
I most like Tamron but I voted Sigma cause I 've read a lot about this awarded lens by Sigma.
I think tha Sigma or Tamron solution is much better than pentax:
1.They are FF lenses, so not dark areas at the edges.
2.Compatibility with past, current and future bodies
3.Better macro capabilities.
4.Better built quality.
Well, OK, but you did you look at the pictures? I'm sure someone else might get different results - you'd want to be sure to take several shots with focus bracketing and different types of subjects - before really drawing conclusions. But based on these, the image quality of the Pentax is *much* better. Plus it focuses faster, is smaller and lighter, and gives you the 50-70 range which I personally find more useful than 200-300. As for macro, neither 70-300 does true macro - only 1:2 or so. A $40 Raynox closeup adapter on the 50-200 will do far better than that.
Sure, if you intend to use FF bodies, you would probably be willing to sacrifice something for that. But I have no intention of abandoning APS-C.
The pictures say what I have been saying for 2 years, the 50-200 may not be the sharpest lens in the world but colour and contrast are fantastic.
Even the 18-250 shows the same result, just as sharp as the 50-200 but the mid tones are a mess, almost as if the glass has less dynamic range ... that is absurd but it feels like that is case when reviewing files.