Automotive Photographers unite! I need your input!
Hey Guys,
I recently tried my hand at rolling shots and I wasn't satisfied with the results that I got. They turned out alright but I dont think the shots dont convey enough "motion". Gimme your inputs! Help me improve my Rolling Shots!
1.
Flash Used: No
Focal Length: 28.0mm
Exposure Time: 0.0056 s (1/180)
Aperture: f/4.5
ISO Equiv.: 200
edit: these are handheld btw
2.
Flash Used: No
Focal Length: 70.0mm
Exposure Time: 0.0056 s (1/180)
Aperture: f/5.6
ISO Equiv.: 200
3.
Flash Used: No
Focal Length: 45.0mm
Exposure Time: 0.0056 s (1/180)
Aperture: f/4.5
ISO Equiv.: 200
Nice GC8.... looks like it is in really nice shape!
Are you part of the Subaru Club in Winnipeg?
D.
__________________ The Gadget Guy from Canada Lenses: Sigma DC 18-50 1:2.8 EX Macro, Sigma 70-300mm/f4-5.6 APO DG Macro, Sigma MACRO 50mm F2.8 EX DG (I sense a trend) Accessories: AF 540FGZ, BG2 Grip, Crumpler 7 MDH, Eye Piece Loupe, Grid Screen, F Remote, Battery, Light Spheres & Pop-Up Diffuser, Optex Neck Strap.
as you've seen, your 1/180th shutter speeds are enough to freeze all but the fastest moving parts, IE, the wheels. try working your way to around 1/100th or slower, in increments to work on your panning. get a good monopod, learn how to use it, it will help some.
oh, another thing, i'd suggest getting lower.. as with people, you wanna shoot from 'eye level', which, with cars, i equate to around the headlights.. personal preference, of course
What Maxwell said... Slower shutter speed and panning...
Now, you asked about panning technique.
- preplan where you will take the shot.
- use MANUAL focus and prefocus on the spot where you want the car to be in the shot
- stand correctly... by this I mean stand with your feet and shoulders parallel to the path of the car where you want the photo to happen.
- wind yourself up... if the car is moving left to right keep your feet in place and swivel your upper body to the left.
- as the car approaches and enters the frame let yourself "unwind" to the right.
- click the shutter as the car becomes parallel to your feet
- continue to swivel to the right as the car moves away. you will stop naturally at some point. don't force or anticipate it.
what this does is turns you into a sort of a spring where the naturally smoothest period of motion is right in the middle of the movement. it takes practice to unwind at the same sideways "speed" as the car but you should notice improved results right away.
this is exactly how I took this shot...
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__________________ Michael R. Riley (Mike) / Carpe Luminous Photography - Sterling, VA Michael Riley at Photo.Net and at the Pentax Photo Gallery. PENTAX K10D, K110D, DA16-45mm, DA18-55mm & DA50-200mm, a Tamron 28-75mm f2.8, a Sigma 50-500 "BIGMA", & a handful of vintage Pentax and other lenses...
Last edited by MRRiley; 06-20-2008 at 03:50 PM..
Reason: typos
This is a simply brilliant explanation of the technique. Thank you for sharing!
Originally Posted by MRRiley
What Maxwell said... Slower shutter speed and panning...
Now, you asked about panning technique.
- preplan where you will take the shot.
- use MANUAL focus and prefocus on the spot where you want the car to be in the shot
- stand correctly... by this I mean stand with your feet and shoulders parallel to the path of the car where you want the photo to happen.
- wind yourself up... if the car is moving left to right keep your feet in place and swivel your upper body to the left.
- as the car approaches and enters the frame let yourself "unwind" to the right.
- click the shutter as the car becomes parallel to your feet
- continue to swivel to the right as the car moves away. you will stop naturally at some point. don't force or anticipate it.
what this does is turns you into a sort of a spring where the naturally smoothest period of motion is right in the middle of the movement. it takes practice to unwind at the same sideways "speed" as the car but you should notice improved results right away.
Not sure if you are using a filter, kind of looks like a polarizer was used, which I would avoid. Yes polarizers will bring out the contrast, but they will also reveal the driver, which can be quite distracting. Try flash on some, but also use a much slower shutter. Cars are not always potent enough to grab one's attention, so make sure the background is blurry, and not distracting. Focal lengths of 70+ will also help that. Otherwise, Michael said it all.