Actually, I sold my darkroom when I went digital, so that somewhat forced me as to what I do, I scan negs.
The real issue is whether you do straight prints or do a lot of work with dodging and burning, or masks, or with variable contrast paper, or double exposures.
Any of those things can make you want to scan the finished product as opposed to the negative only because you may have worked rather hard on getting the print to look like what you wanted.
Having said that however, many of the same functions are possible , and easier to control in a digital photo editor.
I used a minolta dimage II scanner which was a little slow, but did not fail even with 20,000 scans. The reliability was impressive
Yep...that is the conventional wisdom. Unfortunately, the rumor is that Nikon is nixing their scanner line-up. Plustek might be a good, less expensive option. They have a new model due out later this summer that is supposed to be faster, better, etc..
Having used the Imacon at work, the Nikon's just seem so... rubbish. That said not every one has a spare $20k for the Imacon.
I have used the Epson flat beds (4880, 4900, v700) to scan negs, they are alot better on B&W and slide then they are on colour neg (that said these days no real point in shooting colour neg anyway) and so long as you hold the film flat i find a 20c piece (AUD) in each corner is enough to hold the neg flat so the only film flatness issues are from camera.
Having used the Imacon at work, the Nikon's just seem so... rubbish. That said not every one has a spare $20k for the Imacon.
I should have put a disclaimer on my earlier comment to note that the Coolscans are considered to be the best non-commercial option. I had a chance to get an Imacon for only $4k, but figured that the Nikon would probably be adequate.
Real nice unit...much more compact than I expected. I have not had much time to play with it, but here are my initial newbie impressions:
Very compact
Nice build quality
Confusing software (separate docs on second disk are essential)
Very fast scans at all resolutions
Very big files at maximum resolution
ICE is real cool
ICE does not work with B&W negs (not cool)
16 bit B&W results are simply incredible
Every little defect on the neg is incredibly visible, even minor scratches on the non-emulsion side. Not a problem with ICE. Without ICE...not so good
Coming from using a diffusion enlarger head, that last point was a bit disappointing. Oh, well...I guess I will be spending hours with the cloning tool...
Steve
(Will post a full review sometime in the future...)
Thanks for the info. My computer isn't old and slow either, but it is not a quad yet, it is only dual core. But I have Windows 7 on 64bit with 4gbs of ram....self built.
I haven't actually used Digital Ice, so maybe I'll give it a try on those dusty negs I have.