A hands-on comparison in RAW and JPEG mode
By PF Staff in Hands-On Tests on Apr 28, 2018
In this article, we continue our hands-on comparison of the image quality of the Pentax K-1 with the new Pentax K-1 II, with a closer look at noise performance (earlier this week, we tested the new hand-held Dynamic Pixel Shift Resolution mode).
While both cameras share the same 36-megapixel sensor and PRIME IV engine, the K-1 II also incorporates Pentax's Image Accelerator Unit, which improves signal-to-noise ratio at the time of capture, and thus promises less noisy files in both JPEG and RAW mode. Let's take a look at some photos!
First test scene
Our first test scene was shot at ISO 6400, 2s, and F4.5 with the D FA* 70-200mm F2.8 lens. Both cameras were set to RAW+, with auto white balance, "bright" custom image with default settings, no in-camera noise reduction, and no lens corrections.
We then developed both cameras' RAW files with the same lighting settings, no luminance noise reduction, and only baseline (25%) color noise reduction in Adobe Camera Raw. 100% crops follow.
Here we observe that the K-1 II indeed produces files with less noise straight out of camera. The Image Accelerator clearly has an effect on RAW files. At the same time, though, fine edge details are slightly clearer in the K-1's more noisy file, and perhaps the shadows have a hint more detail.
In JPEG mode the K-1 II is a clearer winner, with hardly any pixel-level noise despite the rather high ISO that we used (and no in-camera noise reduction). However, as we saw in the previous comparison, the K-1 does render fine details more clearly.
To verify these findings, we returned to the studio and shot the same test setup that we used for our earlier DPSR comparison. Note that we repeated all of the tests shown a second time in order to ensure that the experimental setup itself was sound.
Studio Test Scene
As in the outdoor test, both cameras were configured with the same settings: no noise reduction, no lens corrections, and RAW+. We used the D FA 50mm F2.8 macro at an aperture setting of F11, focused manually using live view with magnification.
Let's start with the raw files as before. The comparisons below span the ISO range common to the two cameras (i.e. 100 to 204800).
As a supplement to these unedited comparisons, we also ran the ISO 3200 raw files through the latest version of Photoshop CC in an effort to get the best possible result from each camera (within a reasonably short amount of time, of course).
The two cameras are very close even here, but subjectively we would say that the K-1 II has the advantage after all is said and done. The K-1 II also appears to produce more natural colors, and shows better clarity, but this may be due to a slight variation in white balance at the time of capture (and subsequently during development).
An early look at hand-held super resolution in the K-1 II
By PF Staff in Hands-On Tests on Apr 21, 2018
Welcome to the first article in a series of early hands-on first impressions of the Pentax K-1 Mark II! In this installment, we will be taking a closer look at the K-1 II's hand-held super resolution feature, which promises to bring out more detail in photos without requiring a tripod.
The original Pentax K-1 (as well as the K-3 II, K-70, and KP) supports Pixel Shift Resolution (PSR), a type of super resolution technology which when enabled, automatically combines pixel data from multiple exposures (each shifted by a single pixel) to noticeably increase detail, improve color accuracy, and reduce noise in photos. This takes overall image quality to the next level, but only works on perfectly stationary subjects, and requires a tripod.
The K-1 II takes things one step further by eliminating the tripod requirement. Referred to by Pentax as Dynamic Pixel Shift Resolution (DPSR), this new technology extends PSR by incorporating stabilization (i.e. Shake Reduction) and enhanced processing, thus allowing for hand-held super resolution captures. The K-1 II is the only DSLR currently on the market that can perform this type of super resolution imaging automatically!
Naturally, we want to find out whether this is all just marketing speak, or if the K-1 II can in fact deliver better hand-held photos with the flip of one setting. To do so, we photographed a miniature at ISO 1600 (to bring out some baseline noise) and shot one conventional photo on a tripod, one PSR photo on a tripod, and one DPSR photo hand-held. As with PSR, DPSR of course require a stationary subject.
The thumbnails below are cropped out-of-camera JPEGs; click to compare.
Latest special edition Pentax DSLR
By PF Staff in Hands-On Tests on Oct 31, 2017
The Limited Silver edition of the Pentax K-1 hit the shelves late last month, and is now nearly sold out in the US. It has become more or less a tradition for Pentax to offer silver versions of its flagship camera models. You can read about other special models here. In other cases, such as that of the Pentax KP, a silver variant is made available at launch.
A lot of users initially wondered if the silver finish of this K-1 matches that of Pentax's silver lenses. The answer is "yes"- as you can see in the photos, the camera blends in perfectly with the FA* 300mm F2.8 lens. Here is a list of all silver full-frame lenses from Pentax. While some may be hard to find, these lenses are the perfect pairing for a Pentax collector, and also double nicely as tools for professional photography. The silver versions of all HD DA-series Limited lenses likewise match the silver K-1's finish, but with the exception of the 40mm, these lenses should be used in crop mode.
By bdery in Hands-On Tests on Jun 16, 2017
Some of the advantages of Pentax DSLRs are their ruggedness, weather resistance and generally compact size. Partly because of this, the brand draws quite a following among hikers, campers and the like.
Carrying photo equipment when on a trail is not a simple as on a city street. Luckily, many bag manufacturers have recently begun catering to the needs of outdoors photographers. Bags and backpacks for hiking remain a frequent topic in our Accessories forum and every user has a different opinion. In the near future, we will present reviews of some of the most interesting proposals on the market.
Today we present our first test with the Manfrotto Off Road Hiker 30. Manfrotto is a well-regarded brand in the camera industry, and their backpack offers some interesting and unique features. How does it perform on a trail?
Sample video footage at various sensitivity settings
By Albert Siegel in Hands-On Tests on May 18, 2017
When it comes to video, the new Pentax KP may not seem like a major update at first look, let alone cutting edge, as the specifications hardly seem any different than the K-3 II. You need to look beyond the spec sheet to get an idea of why I consider this to be the best Pentax camera so far.
Yes, I realize compared to the K-3 II it's still a 24 megapixel sensor, the autofocus points have not been increased, the maximum mechanical shutter speed is a bit slower, but in reality the KP is a vast improvement in these areas and more. The still images from the new KP sensor are already cleaner than full-frame from just a couple of generations ago. The shutter speed is also faster if you use the electronic shutter. But the area where the KP really shines is video quality.
The Pentax KP is by far the very best Pentax camera for video and one that compares quite well with the competition. The high ISO performance in video is just incredible and reason enough to buy the KP no matter which Pentax body you own, except perhaps the K-1 which carries an inherent advantage due to the sensor size.
Previous crop models struggled at anything near their maximum ISO of 3200, but the KP gives clean video up to 6400, very good at 12800, and usable if a little noisy at the upper limit of 25600. This is the first Pentax camera that I can say with complete confidence that truly is excellent for video. Pentax owners no longer need to look over the fence with envy (unless you really want/need 4K) for great DSLR video. This improvement can in part be attributed to the newer sensor and noise reduction hardware that's in the KP.
But describing video quality without seeing it is like listening to a wall to hear what color it is, so with that in mind, please take a look at the following video to see for yourself.
Yes, electronic stabilization is still the only option, but Ricoh has hinted that mechanical video SR will make a return in the KP and K-1 through an upcoming firmware update.
Please post any questions or comments and I'll do my best to answer them. And before you ask, yes, I will find out about clean HDMI output out as soon as I get a cable. Unlike other Pentax cameras with an HDMI port, the KP requires a special SlimPort USB adapter for video output.
You'll also be able to learn more about the Pentax KP in our upcoming in-depth review!