"Don't always upgrade"
By PF Staff in Influential Photo Gear on Mar 6, 2013
Having recently purchased my shiny new Pentax K-5 (and loving it) and having a read through some recent blog posts about past cameras, I was having a think about previous cameras I have had.
It started with a completely impulsive purchase. I knew I wanted something better than a point’n’shoot, but had no idea what. I had never really been that "into" photography, but my late Father had been and so has/was a lot of my family. I wondered down to the local Good Guys and had a look at what they had. To keep it under $1000 the K100D seemed to offer the best bang-for-buck (going by the features listed on the little tickets). I also remembered vaguely that my Father used to have a Pentax film camera (no idea what mind you) so that was enough for me. I laid down my money and headed home with a K100D twin lens kit. But sadly I never really found the motivation to learn it properly. It got pulled out a few times to play with and got used to take photos at a couple of parties. But nothing ever exciting (or any good for that matter). That was about 4 years ago.
Then I was chatting to a mate of mine who turned out to be a Pentax user; OzAdr1an. He got me interested again so as a present to myself I found a very nice, low shutter count Samsung GX20 locally on eBay. The GX20 is the clone of the Pentax K20D, which Samsung and Pentax collaborated on.
By PF Staff in Influential Photo Gear on Feb 20, 2013
Today, I will introduce the piece of “gear” that has been most influential to my photographic journey to date. It cannot be bought commercially as it is a self-modified piece of equipment. I call it the Pentax K+ Multi-Mount, a modification of my Pentax K-x camera mounting ring that now lets me mount lens from Nikon F-mount, Olympus OM-mount, Contax/Yashica C/Y-mount and Konica AR-mount in addition to all my Pentax-K lenses.
How K+ Multi-Mount was made
On the front, you cannot see any difference from the usual mounting ring because my modifications were done on the underside of it. After unscrewing the 5 screws that held the mounting ring to my K-x and flipping it over, I filed away some of the metal that were previously at the brass-yellow areas seen below using a Dremel tool. The reason is because these areas were thicker than other mounts so I had to file them down by a few millimeters, flushing it with the non-protruding areas of the ring. There was not much precision required (or possible), only steady hands to ensure an even surface after filing, sufficiently deep and smooth enough to mount all the lenses. Some trial and error is definitely required by mounting the different lenses directly on it. Once tested to accept all lenses, it was time to screw it back to my Pentax K-x.
By PF Staff in Influential Photo Gear on Feb 10, 2013
The piece of equipment that has been the most influential on my photography would have to be the first camera that my father gave to me. It was in the spring of 1968.
The camera in question was and still is fully functional in MF film format; it is a Precisa 2. I believe the full name is Beier Precisa 2 (made in Germany). This particular one was made somewhere in the mid-1950s. It is a Medium Format 6x6 camera with an E.Ludwig Meritar f3.5 / 75mm lens.
Some technical info:
- Film type: 120 (60mm)
- Frame size 6X6 or 4.5X6
- Shutter speeds: B, 1, 2, 5, 10, 25, 50, 100, 250
- Aperture scale 3.5, 4, 5.6, 8,11,16,22
- Focusing range from 1m to 10m to infinity
- Self timer - approximately 15sec
- Flash synchronisation - yes
By PF Staff in Influential Photo Gear on Feb 10, 2013
Israel, 1969. Two years married, our first daughter Michal is born.
My late Aunt Rivka returns from a very emotional trip to the Ukraine (Soviet Union then…), visiting her sister. Deep in her suitcase, wrapped in clothes, lies a beautiful Zorki 4 rangefinder camera.
Must have been expensive… but nothing stopped my brave and determined aunt Rivka, who loved me very much, and proudly handed me the camera in its brown leather case.
When I thought about this submission, I had no doubt that this Zorki 4 made a permanent, extremely powerful impact on my life.
Photography became part of me in every possible way, made me a visual story teller…
Enter My World!
By PF Staff in Influential Photo Gear on Feb 9, 2013
An external flash to use on a point and shoot? Can it be done with good outcome even if the flash is bigger than the camera? Well, read on to find out!
I own (apart from the K-30) a very good Panasonic LX3, which is an amazing piece of equipment: 10.2 megapixels, F2.0 Leica Lens and 24mm wide angle (in 35mm format). What I didn't like about it was the pop up flash. The light was just to harsh on the pictures and the LX3 is not know for good dynamic range. In fact, pictures with the pop up flash where a total flush! It got me frustrated to a point that I just refused to turn the flash on, and instead went on to bump up the ISO to 3600 or more. The problem is that the LX3 has a small sensor, and even with that great Leica piece of glass in front of it, the noise was just too much.
2 years ago, my baby girl was born. 1 month before the date of birth, I decided it was time to upgrade something, as really wanted to get good pictures of her. Well, if your wife is pregnant, the baby is the BEST excuse in the world for buying stuff you really want. Call it hormones, call it "she doesn't care" or just plains simple "If it is better for the baby, it is worth it". Mine was #3!
So, I it was decided: I should get a new flash unit to fit my Panasonic LX3 and the world of good pictures would be at my feet!