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Pentax K-3 III Monochrome

Ergonomics 
 10.0
Build Quality 
 10.0
User Interface 
 9.7
Autofocus 
 9.0
Features 
 10.0
Value 
 10.0
Image Quality 
 10.0
Noise 
 10.0
Reviews Views Date of last review
3 7,705 Sun April 7, 2024
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Recommended By Average Price Average User Rating
100% of reviewers $2,198.00 9.67
Pentax K-3 III Monochrome

Pentax K-3 III Monochrome
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Pentax K-3 III Monochrome
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Pentax K-3 III Monochrome
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Pentax K-3 III Monochrome
supersize
Pentax K-3 III Monochrome
supersize
Pentax K-3 III Monochrome
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Description:

The K-3 Mark III Monochrome is a compact DSLR with a 26 MP APS-C size CMOS monochrome sensor. It was released in April of 2023. At the time of release the camera was the only monochrome-only DSLR on the market.

The K-3 III Monochrome shares most features with the regular K-3 III except for image capture, which is monochrome only. This implies, that there is no white balance setting and the custom image settings are dedicated to monochrome photography. By doing away with a Bayer color filter in front of the sensor, about one stop extra of light reaches the sensor, which lowest ISO therefore is raised to 200. Features include:

  • The button layout includes a third command wheel and it also includes a joystick for moving the active AF point
  • The rear monitor is a touch screen making it possible to select focus point and set focus by pointing at the feature to be in focus. This feature is available for shooting stills as well as movies. For still images the shutter can be set to fire by pointing as well
  • The viewfinder has a magnification of 1.05x which makes the view through the finder almost as large as offered by full frame cameras like the K-1 series
  • The viewfinder has an LCD overlay with a customizable grid, electronic level, AF active points, Smart Function settings, and other features, hereunder a 1.3x crop frame
  • Smart function is selected using the viewfinder display and then adjusted with the third command wheel.
  • 4K video
  • The sensor-shift image stabilization can be used also when panning
  • With M and K lenses, the K-3 III stops the lens down and sets the exposure when the shutter button is half-pressed. One can thus forego the green-button stop down metering process of earlier Pentax DSLRs. This new feature also works with A lenses when the aperture ring is off the "A" setting.
  • The aperture set with the aperture ring can be recorded in the EXIF data block.
  • Four metering modes: Highlight-weighted, Center-weight, multi-segment, and spot.
  • Face detection when using the view finder: The Multi-segment metering mode can optionally be set to base exposure on faces.
  • Auto ISO: A minimum shutter speed can be set at which speed the camera will begin to increase ISO. This trigger point can be set manually or automatically based on lens focal length
  • Back-side Illuminated (BSI) sensor
  • Eye-sensor, that turns the rear LCD monitor off when using the view finder
  • Viewfinder illumination
  • The battery (and also the battery in the optional grip) is charged via the camera's USB socket. An optional separate charger is available.
  • Ability to track stars without the use of a GPS unit (Astrotracer mode 3)
  • 12 fps frame rate
  • 101 AF points. 41 of these can be selected with the joystick
  • A 307K pixel light meter
  • Sensitivity tops out at ISO 1.6 million aided by the new Accellerator Unit II with increased signal-to-noise ratio
  • Low light AF sensitivity -4 EV (when using the special F2.8 AF points and a compatible lens)
  • Enhanced Hyper Program mode that also alloes for TAv (optionally M) to be engaged with the front and back e-dials (i.e. without turning the mode dial away from P)
  • During playback, playback functions (for example RAW development) can be executed on a folder thus processing all images in that folder
  • Catch-in focus is available not only with manual focus lenses, but also with AF lenses with an AF/MF switch
  • 10 user modes can be stored in the camera, five of these can then be assigned to the exposure mode dial.

Other key features are:

  • Depth of Field and motion bracketing in addition to the traditional exposure bracketing
  • Sensor shift shake reduction also in video mode
  • No AA filter
  • AA filter simulator with bracketing
  • 5 axis sensor-shift stabilisation rated at 5.5 shutter steps
  • Rear monitor night view mode
  • Dust and weather sealed
  • Wi-Fi and Bluetooth connectivity
  • Sockets for stereo mic and head set
  • Numerous dials and buttons so that many settings can be changed without having to go into the menu
  • Astrotracer type 3, which doesn't require a GPS unit when locking on to and following the stars across the sky.
  • Astrotracer type 1 and 2 with the optional O-GPS2 or O-GPS1 units are alsol supported.
  • GPS coordinates can be read from a smart phone and stored in the EXIF data block or they can be acquired from an attached O-GPS2 or O-GPS1 unit
  • [Select XS] (extra small) to the AF area options when shooting with the viewfinder. This improves keeping a small object in focus
  • [AF Point for H/V Comp] for AF with viewfinder shooting and live-view shooting. The reference position and movement position of the focus point can be maintained for each of the vertical and horizontal compositions
  • Focus limiter function which works with the HD PENTAX-D FA MACRO 100mmF2.8ED AW
  • USB tethering with Image Transmitter 2 and improved individual AF front/back focus adjustments when using the DA 1.4x rear converter
  • Electronic shutter

The Digital Camera Utility 5 raw converter and image processing software is stored in the camera and can be installed on your computer via the provided USB cable. A CD-ROM with the software is not included.

Pixel shift is not available. It would serve no purpose with a monochrome sensor.

For situations where moiré patterns might be an issue, the K-3 III Monochrome includes the anti-alias filter simulator originally introduced with the K-3. The effect of an AA filter is simulated through micro-movements of the sensor using the shake reduction (SR) mechanism. For subjects with very fine detail in repeating patterns where one runs the risk of false patterns (moiré) the filter should be turned on. For landscape photography the filter should be turned off and the images will benefit from increased resolution. As opposed to a fixed (physical) anti-alias filter with the Pentax system the photographer decides whether or not to use it and the strength can be adjusted. There even is an AA filter bracketing function.

Major features subsequently added through firmware updates:

  • Additional settings for AF.C (from version 2.00)
  • Added focus sensitivity setting for AF.C (from version 2.00)
  • Added a function to save and import user mode settings to/from the SD card (from version 2.00).
  • Increased the number of consecutive frames when shooting with crop (from version 2.00).
  • Added a limited function [Grad ND Shooting]. This feature requires an activation key (from version 2.00).

 

 


Pentax K-3 III Monochrome
© www.pentaxforums.com, sharable with attribution
Year Introduced
2023
In Production
Yes
Current US Price
$2196
In-Depth Review
Click to Read
Sensor
Sensor Format
APS-C
Sensor Type
CMOS Monochrome
Megapixels
25.73
Resolution
4128 x 6192 pixels
AA Filter
No (AA filter simulator)
Super Resolution
No
Bit Depth
14
Minimum ISO
200
Maximum ISO
1600000
ISO Range
200 - 1,600,000
Imaging
Exposure Modes
Auto (green), HyP, Sv, Av, Tv, TAv, HyM, X, B, User(5)
Program Modes
Auto, Normal, Action, Depth of Field (deep/shallow), MTF priority
Maximum FPS
12
Continuous Shooting
Hi: 12 fps up to approx. 55 frames (JPG), up to approx. 32 frames (RAW), M: 7 fps up to approx 100 frames (JPG), 40 frames (RAW), Lo: 2.5 fps uup to approx. 100 frames (JPG), up to appox. 100 frames (RAW)
Shutter Speeds (Auto)
30s - 1/8000s (1/16000 with electronic shutter)
Shutter Speeds (Manual)
B, 30s - 1/8000s (1/16000s with electronic shutter). Up to 20 minutes in Timed Bulb mode. Up to 300s in Astrotracer mode
Shutter Life
300000
Exposure compensation
+/- 5EV (+/-2 EV in movie mode)
Auto bracketing
Exposure (2, 3 or 5 frames), one-push EV bracketing, Depth of Field (3 frames), Motion (3 frames), AA filter (2 or 3 frames)
Expanded dynamic range
Highlight (auto, on, off), Shadow (auto, high, medium, low, off)
Exposure lock
Yes
Self timer
2 s with mirror lock-up, 12 s
Metering Sensor
307K Pixel
Meter range
-2 to 21 EV
Meter pattern
Multi-Segment,Multi-Segment with Face Detection,Center Weighted,Highlight Weighted,Spot
Mirror lock-up
Yes
Interval shooting
Up to 9999 frames, 1 sec to 24 hours interval
HDR mode
Yes
Multiple exposures
Yes, average, additive and bright, 2 to 20 shots
Pixel mapping
Yes
Scene Modes
None. Auto (green) sets exposure based on scene analysis
Restrictions
Exposure modes with M and K lenses are restricted to Av and TAv (both with automated stop-down metering) and M (with green-button stop down metering)
Lens Mount
Mount
KAF2 (no aperture coupler)
Composition Adjustment
Yes
Stabilization
Yes (sensor-shift SR II) with panning SR
Power zoom
Supported (zoom only)
Supported Lenses
All Pentax K-mount lenses. Manual focus only with K-, M-, and A-series lenses. Automated stop down metering with K- and M-series lenses. M42, Pentax 645 and Pentax 6x7 lenses with the appropriate adapters: green button stop down metering and manual focus only.
Lens correction
Distortion,Lateral Chromatic Aberration,Vignetting,Diffraction
Focusing
Autofocus (viewfinder)
Yes (SAFOX 13, 101 focus points (25 cross type))
AF Points
101
Autofocus sensitivity
-4 EV
Front/back focus correction
Yes (adjustment for up to 20 lenses)
Autofocus with SDM
Yes
Autofocus assist
Dedicated LED
Viewfinder/LCD
Viewfinder
1.05x, 100%
Viewfinder type
Pentaprism
Diopter adjustment
-4 to +1
AF Points in viewfinder
Yes
Exchangeable screen
No
Depth of field preview
Yes
Digital preview
Yes (with image magnification)
Live View
Yes
Top LCD
Yes
Focus Peaking
Yes
Back LCD
3.2 inch, 1,620,000 dots, 3:2 aspect ratio, touch screen, red light night mode
Body
Weather resistant
Yes
Control wheels
3
Battery grip
D-BG8 which accepts the D-LI90 Li-Ion battery.
Card slots
2
Dust removal
Yes, Ultrasonic DR II
Dust alert
No
Memory card type
SD, SDHC, SDXC (slot 1 UHS-II compatible, slot 2 UHS-I compatible)
Size (W x H x D)
134.5 x 103.5 x 73.5 mm
Weight
735g (820g with mattery and SD card)
File format
PEF (RAW),DNG (RAW),JPG,MOV
Battery life
800 images
Battery
D-LI90 lithium-ion rechargeable
Flash
Built-in flash
No
Sync speed
1/200s
P-TTL flash
Yes
Flash functions
Auto discharge*, On (leading curtain sync)*, Redeye reduction*, Slow-speed sync*, Trailing curtain sync*, High-speed sync*, Manual*, Wireless**, Contrast control**
* Requires an external flash
** Requires two (or more) external flashes
TTL flash
No
Flash exposure comp
-2 to +1 EV
Video
Resolution / Framerates
3840 x 2160 (4K) at 30p/24p fps,
1920 x 1080 (Full HD) at 60p/30p/24p fps
MPEG4 AVC/H.264
Exposure Modes
P, Av, TAv, Tv, M
Movie mode restrictions
Clips up to 4 GB / 25 minutes
AF During Recording
Continuous (with compatible lenses) and On-demand
Sound in Movie mode
Stereo (via internal mic or external mic). Adjustable sound level
Interfacing
GPS
Via Accessory
Tethering
Via built-in Wi-Fi,Via Built-in Bluetooth
Connectivity
USB 3.2 (type C), DC in, x-sync socket, HDMI output (type D), IR port for remote control (front and rear), wired cable release, stereo microphone and headphones, Wi-Fi (b/g/n) and Bluetooth 4.2 (Low Energy)
Latest Firmware
Link to download page
Notes
User reviews
In-depth review
Aperture set with an aperture ring can be recorded in EXIF, Astrotracer functionality built-in. No GPS accessory required, Top LCD can be illuminated, Continuous AF available in movie mode with compatible lenses, Electronic level, Embed copyright information in EXIF, High ISO NR, can be customized for each major ISO value, Hyper Program (HyP) can engage TAv and M exposure modes in addition to Av and Tv, Image plane indicator, In-camera RAW development, Moiré suppression via SR mechanism, Moiré suppression bracketing, Save last JPG as RAW, Save JPG from movie, Several buttons are customizable, The battery can be charged through the USB port, The function selector plus third control wheel provides a short cut to a variety of settings.
Special Editions

Black, Jet Black, Matte Black


Megapixels: 25
ISO Range: 200-1600000
FPS: 12
In-Depth Review: Read our Pentax K-3 III Monochrome in-depth review!
Price History:



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New Member

Registered: April, 2024
Posts: 3

4 users found this helpful
Review Date: April 7, 2024 Recommended | Price: $2,196.00 | Rating: 10 

 
Pros: Ergonomics, Build Quality, High-ISO Performance
Cons: Nada
Ergonomics: 10    Build Quality: 10    User Interface: 10    Autofocus: 8    Features: 10    Value: 10    Image Quality: 10    Noise: 10    New or Used: New   

I’ve used Canon mirrorless full-frame cameras for years now, exclusively. Until now, I had never used a Pentax. But the K3-III Monochrome piqued my interest, for two reasons: I miss having fun with a DSLR, and I’m fascinated with black and white photography. (Old-school, on both accounts.) In short, I’ve had some fun with this camera, with exemplary results.

Despite its cropped sensor, its signal-to-noise ratio at higher ISOs is on par--if not just beyond that--of the Canon R6. This makes some sense: with a cropped sensor, luminosity is lost relative to a full-frame sensor with a similar number of pixels, in general; with a color sensor, about 2/3 of light is lost to the Bayer filter. So, with a black and white cropped sensor and a color full-frame sensor of about the same pixel count, there’s roughly a balance. In any case, I’m very comfortable shooting upwards of ISO 25600 with this, with no post-filter, which is awesome!

And the contrast just pops, with no post-processing necessary. With the R6, I can get nice results with black and white conversion and some Lightroom manipulations. But these are extra steps, and they don’t always give realistic transitions in tone across the image. With the K3-III Monochrome, I get what’s actually there, without having to worry. If you're interested in black and white, this is the reason to buy this camera.

The camera's built like a tank. I wouldn’t be scared to take it anywhere. I've had it long enough to ascertain lasting impressions but haven't taken it hiking yet--but it has many, many miles to go in its future. And I have no doubt it will stand the test.

Ergonomics are best-in-class, period. It has a very comfortable grip and is just a pleasure to use overall. There are buttons, conveniently-placed, for all typically-used settings for exposure. There's no need to crawl through menus and submenus.

I find only a single drawback: autofocus speed and accuracy lag behind what I’m used to, which is understandable for a DSLR. On the flip side, the performance is really good, and less "hand-holding" is a bit conducive to the fun factor. Sometimes I find myself switching to manual focus, for which the camera has two assists. In optical view, you can opt to release the shutter automatically as soon as the object is in focus. This is highly beneficial, especially when shooting at a distance. In live view, you can opt to highlight edge content, which helps to identify where the center of the focal plane is. Both options have increased my keeper ratio.

I could not be happier with the K3-III Monochrome. I haven't picked up my other camera since I got it.
   
Loyal Site Supporter

Registered: September, 2016
Location: Central Iowa, USA
Posts: 173

4 users found this helpful
Review Date: November 19, 2023 Recommended | Price: $2,200.00 | Rating: 10 

 
Pros: Excellent B&W Images
Cons:
Ergonomics: 10    Build Quality: 10    User Interface: 10    Autofocus: 10    Features: 10    Value: 10    Image Quality: 10    Noise: 10    New or Used: New   

The K-3 III Monochrome was a must-buy for me!

I had been selected as an Artist-in-Residence for a National Historic Site for the summer of 2023. My original plan was to shoot B&W with my K-1, but I quickly changed my plans when the K-3 III Monochrome was announced.

Back when I shot film, almost all my serious shooting was B&W. However, when I transitioned to digital, I quit shooting B&W as the digital B&W process never quite 'clicked' with me. I always missed shooting B&W though.

While serving as the Artist-in-Residence, I shot almost 7,000 pictures with the Monochrome in less than a month. I shot almost every image using manual focus Pentax K-mount lenses. I had a great time doing so, and the images were well received by my sponsor and the other staff at the historic site. I did not find that the images created by the Monochrome needed a lot of processing, certainly less than I expect the (de-colored) images from the K-1 would have required.

One of the big surprises to me was how noise-free the images from the Monochrome are. Not one of the images I have shot to date with the Monochrome has any noise reduction done - none. I donated an image to the historic site - printed 14 inches wide - which was shot at ISO 5,000. And there is no visible noise in the printed image. I could have printed the image larger than 14 inches but the site has only a small space for a gallery, and my print needed to be sized like the other artwork.

I find that shooting with the Monochrome - like shooting with B&W film - often benefits from the use of colored B&W filters. Hoya has a decent write-up of how to use B&W filters at https://hoyafilterusa.com/pages/how-black-white-filters-work

I continue to shoot a lot with the Monochrome, as it's become - by far - my most used camera. I find the images created by the Monochrome to be both crisp (sharp) and clean (noise-free). And while black-and-white photography is a bit unfamiliar to those who took up photography in the digital age, I find shooting with the Monochrome to be very intuitive and extremely rewarding.

I will close with three images that I've taken this year. All three images were taken with lenses that have a 35mm focal length, and all three lenses are different lenses.

Image 1:
35/2.8 Limited @f8, 1/320 sec, ISO 1600, Orange filter


Image 2:
K 35/3.5 @f/8, .7 sec, ISO 200, Orange filter


Image 3:
Carl Zeiss Distagon 35/2 @f/8, 1/250 sec, ISO 200, Orange filter
   
Junior Member

Registered: April, 2011
Location: Velbert, a small town near Düsseldorf, Germany
Posts: 37

12 users found this helpful
Review Date: June 8, 2023 Recommended | Price: None indicated | Rating: 9 

 
Pros: smooth transition of grey tones, low noise at high ISO, much details in the shot
Cons: again a too small buffer
Ergonomics: 10    Build Quality: 10    User Interface: 9    Autofocus: 9    Features: 10    Value: 10    Image Quality: 10    Noise: 10    New or Used: New   

Coming from a time when I was still standing in the darkroom (it was the darkened kitchen!) and developing my b&w films myself and then enlarging images from them, it was almost a must to get this camera.
Even the "color film predecessor", the K3 III, was a quantum leap for Pentax.And this masterpiece of Japanese engineering is again!

I don't need to say much about the successful feel. It snuggles up in my hand, the controls are all well positioned and the appearance has now become even more valuable by doing away with all the colorful labels or buttons and markings.

The most amazing thing for me is the picture quality. The higher level of detail in the images, the gentle gradations in the gray values and last but not least the significantly reduced susceptibility to noise make it a pleasure to work with this camera.I've only had it for a short time and unfortunately haven't gotten to real landscape shots yet (for which it's certainly terrific), but here are some photos of the first steps in SW...the feeling is (almost) the same as it was decades ago!

And yes! There is definitely a visible difference to color images converted to bw! The JPEGS straight from the camera come as RGB images - depending on further processing, (barely visible) color fringes/areas can actually appear.So it is better to convert these to monochrome in the end.

As far as the lenses used up to now are concerned: the high resolution of the camera also harmonizes very well with old glass! ...whereby the modern optics, like the DFA 150-450 or the PLM 16-50 make them shine!

It's just a pity that Pentax didn't give the camera a larger buffer: after fast series it still takes a bit too long for the pictures to be on the card. But maybe fast series are probably not a common use for a b&w camera. But since I'm also showing photos of birds here...a quick sequence of images makes sense.
All photos as JPEG "out of cam"...(partially slightly cropped and of course resized and the picture of the blackbird ist also denoised)


with DFA 150-450mm, 1/1000s, f7.1, corection +0.3, ISO5000 no denoising



with the PLM 16-50mm, 1/250s, f5.6, ISO 1000



with the DFA 150-450mm, 1/1000s, f8.0, correction +0.3, ISO5000, denoising


...more pictures to come...
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