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Pentax MZ-5N / ZX-5N

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23 68,175 Sat October 24, 2020
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Recommended By Average Price Average User Rating
65% of reviewers $171.39 7.10
Pentax MZ-5N / ZX-5N

Pentax MZ-5N / ZX-5N
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Pentax MZ-5N / ZX-5N
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Description:
The Pentax MZ-5N/ZX-5N SLR introduced in 1997 replaced the MX-5/ZX-5 from the year before. This new model kept the classic control layout with a shutter speed dial, an exposure compensation dial, levers for metering pattern and drive modes. The aperture was set with the aperture ring on the lens. A couple of important features were added, namely auto-bracketing, exposure lock and depth of field preview.

Extra flash functions with an external flash: Contrast control.

MZ-5N/ZX-5N
Year introduced
1997
Mount
KAF2
Meter range
0 - 21 EV
Meter pattern
m c s
ISO range
6 - 6400
DX ISO range
25 - 5000
Exposure modes
P, Av, Tv, M, B
Exposure compensation
+/-3 EV
Exposure memory lock
Yes
Shutter speeds (auto)
30 - 1/2000s
Shutter speeds (manual)
2 - 1/2000s
Shutter speeds (mechanical)
None
Self timer
Yes
Mirror lock-up
No
Auto bracketing
Yes
Multiple exposures
No
Winder
Built-in 2 fps
Built-in flash
Yes, GN 11
TTL flash
Yes
P-TTL flash
No
Sync speed
1/125s
Flash exposure comp
No
Autofocus
Yes (3 points)
Autofocus sensitivity
-1 - 18 EV
Power zoom
Yes, limited
Viewfinder
0.8x, 92%
Viewfinder type
Pentaprism
Diopter correction
Yes
Exchangeable screen
No
Depth of field preview
Yes
Image size
24 x 36 mm
Panorama format
Yes, 13 x 36 mm
Battery
2 x CR2
Battery grip/pack
Grip FG, 4x AA
Size (W x H x D)
135 x 90 x 61.5 mm
Weight
410 g
Price History:



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New Member

Registered: September, 2020
Location: Derbyshire
Posts: 3
Review Date: October 24, 2020 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: $250.00 | Rating: 9 

 
Pros: Infallible meter, great user interface, portable, fun, quick in use
Cons: Too much plastic; doubts about accurate focussing at distance

I had one of these from 1997 to 2009.

It was one of the first autofocus film SLRs in the UK to get over 90% in reviews. Nikon's F80 soon knocked it off its post when it was released afterwards a few years later.

My experience is mostly positive. My MZ5n never let me down once mechanically and it was my go to camera for holidays. Mine was still working when I reluctantly sold it because of the 2008 financial crash.

I will go as far as saying that I believe that the MZ5n was one of THE finest enthusiast film SLRs of all time that Pentax has ever produced. Its only limitation in my view was the modern materials used to make it with. As a concept - it was and could be the perfect film SLR.

The Good Points:

The 6 segment (I think it was) meter was in my experience infallible. It never gave me a duff exposure once - and I was using E6! Okay, I had to use the exposure compensation dial in snowy or misty conditions and in other well-known situations but that aside, using THAT meter was a pleasure, No wonder they used that meter spec in the 645 and 67II Pentax cameras. Here in the UK, the prowess of the meter was noted in reviews too.

I have an E6 shot at night of a tree with one of its bows pointing towards the moon. The tree is very well exposed and the moon-sky is too - all by using the MZ5n's metering and onboard flash.

I mean, what is photography other than capturing light as accurately as possible? All the magic starts from there. You did not have to worry about metering with the MZ5n. It had it covered. And how!

The next good point was the layout/user interface. It was so easy to use and even my sausage like fingers could make adjustments on the top plate during shooting. The viewfinder was fine and gave you comprehensive info on exposure status. You could have it around your neck all day and not feel it was there. I could still manually focus very well on my excellent Pentax 70-210mm f4 zoom for 4 example.

The third good point (and being a Pentax we should not be surprised): backwards capability. I could use early K and M lenses using centre weighted or spot metering easily with great results but had to externally check the aperture (no big deal). Pentax 'A' lenses could be set to 'A' in programme mode and you'd know the aperture in use.

I have loads of superbly exposed slides using the MZ5n. What can I say?

The Downsides:

Well, it was made of 'plastic' (poly-carbonate?) - even my version had developed a small stress fracture on the pop up flash by the time I sold it.

Focussing: whilst my version focussed its FA and Ltd lenses accurately at near and mid distance, I had mixed results at infinity with say, 43-50mm lenses. I had an FA 50mm 1.4 and was very disappointed with the results, so I got an A 50mm1.4 instead and it did much better when set manually. But I also noticed that the formidable FA35mm f2 could also suffer the same problem.

I concluded that the focussing (was it SAFOX IV or something?) was lacking calibration at infinity - it was not the lens' fault. I should have had it checked by Pentax more than anything else.

On my MZ5n, my superb FA 20-35mm zoom lived on it and I shot mostly at f8-11. I also used my FA 28mm the same way so the shooting at infinity problem was only something I ran into occasionally. I realised that something was wrong when my FA 50mm 1.4 behaved perfectly on an MX at distance. The FA 50mm is a great lens but the camera's infinity focussing made it seem it was not.

So there you go. I'm not here to argue with others about the MZ5n. My experience with mine was wonderful. I can only hope that what Pentax learnt from making the MZ5n went into its digital line up.

For me though, the MZ5n is one of Pentax's finest enthusiast cameras and I miss it a lot.

I would have gone onto the MZ-3 as well if I'd had the chance and even an MZ-S eventually. I had every reason to feel like that based on my own intimate use of this great little camera - the MZ5n.
   
Forum Member

Registered: November, 2007
Location: Gwynedd, Wales
Posts: 56
Review Date: March 31, 2018 I can recommend the Pentax MZ-5N / ZX-5N: No | Price: $20.00 | Rating: 5 

 
Pros: Intuitive to use, uncrippled KAF2 with metal mount, DOF preview.
Cons: RELIABILITY

This is an interesting camera, an attempt I guess nto make someting with the controls of the pre-autofocus era.

Unfortunatly, the major problem is that they break. The popup flash fails, and more importantly the pinion gear on the motor fails. OK, you can now pick up another one very cheaply (if you can find one that still works) but it is totally against the ethos of the MX and older cameras the control layout is trying to remind us of.

To be fair, I had an MX for a while and although that's a highly regarded camera I didn't really like it. I guess I'm happy with push buttons etc. And of course not everyone is.

Unfortunately, although the camera is intuitive to use and supports pretty much every Pentax film era lens and some of the newer digital lenses, the heavier lenses are very unbalanced.

It would be a good camera if not for the cheap materials.

II actually prefer the cheaper MX-30 and 50, because the main thing I use these cameras for is to have something that is not going to break my heart if they are destroyed (parties, bike tours etc.) I'm not going to take my MEF or Z-1p into that sort of environment.

If you are a digital camera user and looking for something to get the feel of film cameras, I'd avoid the MZ/ZX series altogether. .
   
New Member

Registered: December, 2016
Location: North Germany
Posts: 1
Review Date: February 1, 2017 I can recommend the Pentax MZ-5N / ZX-5N: No | Price: None indicated | Rating: 4 

 
Pros: light, good IQ, traditional use
Cons: short life time

I owned this camera in those years close before the digital era. Its exposures were pretty good: nice colors, sharp... but: suddenly its shutter stuck and so the camera never did work again. Today you can get this camera and its sisters MZ-3, MZ-7 etc. for a couple of Euro or Dollars on Ebay, mostly with the same defect: a stuck shutter.
So keep off even though it still works because it includes a ticking self destruction.
   
New Member

Registered: October, 2016
Location: Porthtowan
Posts: 17

1 user found this helpful
Review Date: October 23, 2016 I can recommend the Pentax MZ-5N / ZX-5N: No | Price: $900.00 | Rating: 6 

 
Pros: Near-perfect traditional handling, very good exposure measurement and display
Cons: Poor build quality, slow motor,

I took many good shots with this camera, the hit to miss ratio was the best of any model I've ever owned. The viewfinder was very good, especially with regard to the focus confirmation and exposure readout. However, its build quality was pretty lightweight for the price. Like many I found that the flash spring gave up the ghost. Talking of the flash, it had a tendency to overexpose. The film advance rate was pretty slow. The "panorama" mode was a useless gimmick, no doubt prompted by the advent of APS.

The appearance and ergonomics of this camera were inspired by the old MX - unfortunately the build quality was inspired by an accountant.
   
Veteran Member

Registered: July, 2014
Location: Nagoya
Posts: 577
Review Date: March 23, 2016 I can recommend the Pentax MZ-5N / ZX-5N: No | Price: $80.00 | Rating: 5 

 
Pros: Light, traditional dials
Cons: Interlock on dials, feels flimsy, sounds nasty

This camera has a certain charm to it, but for me it just doesn't feel quite right. The idea is a nice one - modern AF SLR with a nod to SLRs of yore in the shutter speed and exposure compensation dials. These dials would be fantastically convenient if it weren't for the buttons that you have to press to get them out of their automatic positions, which make them just as inconvenient, if not more so, than having to push buttons to change settings on other automatic SLRs. Apart from that, the camera itself feels unpleasantly plasticky (which is fine on my MZ-10, which cost a quarter of the price), and the shutter and winder make a really horrible noise reminiscent of nasty 90s P&S compacts. Add to that this camera's reputation for breaking down and it's really not worth the price premium that it commands over the other MZ/ZX models, especially given that its USP - the dials - really isn't all that it's cracked up to be. I have a similar-age Nikon F80 that I paid a lot less for and it is superior in every single way, as much as it pains me to say it.

For a modern(ish) Pentax SLR, the MZ-10, which also has an uncrippled mount, is a much better value and simpler choice, and so is the slightly older but more sturdy (and still very inexpensive) Z-50 or Z-20.
   
New Member

Registered: August, 2015
Posts: 1
Review Date: August 9, 2015 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: $90.00 | Rating: 9 

 
Pros: Light but solid. Real pentaprism. Classic dials. Perfect size.
Cons: Slightly noiser wind-on than I would have hoped for.

My previous Pentax film SLR's were a Z-1p and a Z-50p. I sold the semi-pro Z-1p when I got fed up with the weight of it and started using cheap light DSLR's. Last year the Z-50p died on me so I bought a "used" MZ-5n. I was astonished at it's near mint condition and am totally delighted with it. My partner and I share the camera so having the dioptre adjustment is very useful. The images you get when using decent prime lenses and fujichrome slide film are very sharp with of course the fantastic colours fujichrome is famous for. I sometimes have the slides scanned but even high resolution scans viewed on an Apple monitor look feeble compared to projections of a "real raw" slide image. Anyway I tend to take lots of nature/landscape shots with film and use the DSLR for our kids and fast-action shots so I don't feel the need to choose between the 2 formats. Quite a few people have commented on the delicate flash-hinge thingy but I'm not concerned about that as I use this outside 99% of the time so it only gets a tiny bit of fill-in flash use.
I've seen plenty of these cameras for sale on ebay with various faults so my copy may not last as long as I hope but I'm careful with cameras and even if I only get a 100 or so rolls of film through this before it dies I will have had my money's worth. A lovely portable and enjoyable camera to take with you anywhere either on it's own or as a back-up to a DSLR for any once-in-a-lifetime-trips or event. I would have preferred an all-black version but haven't seen one advertised so I may splash out on a black MZ-3 if I can find a good one at a decent price....that way the wife and I will not have to fight over our MZ-5n anymore.....if you need a solid but light film camera with a great viewfinder and all the controls you're ever likely to need then seek one of these things out and use it. Film is not dead it's as good as ever and it's a lot less hassle than a DSLR with a thousand things to fiddle with/go wrong with...not to mention the tedium and time wasted having to mess with the inferior colour of digital images on a computer with ever-increasingly confusing software.
   
Forum Member

Registered: February, 2013
Location: Somewhere around Seattle
Posts: 53

3 users found this helpful
Review Date: February 8, 2015 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: $50.00 | Rating: 9 

 
Pros: Size, weight, versatility
Cons: Makes me want a 645n

I am so glad I bought this ZX5n to replace my SF1n that suddenly stopped rewinding film. Otherwise I'd still be mashing all the SF1n buttons with both hands and wouldn't know that there really is an easier, softer way to put images on film.

The ZX5n got its design cues, size and weight from the MX, has the same controls and SAFOX IV electronics as the 645n, has full lens compatibility including FAJ/DA (sans SDM/DC) lenses, and it's quiet on top of it all. From fully automatic to fully manual, it does everything I need a film camera to do. The pentaprism viewfinder and metal lens mount put it ahead of most all the other cameras in the MZ/ZX class.

It's easy to use because every mode and function is just one or two control changes away and every lens I mount works without a fuss. Shooting an M lens in AV mode on the ZX5n is so liberating compared to fighting the hard to turn shutter speed dial while studying the LEDs on my MX. That said, A, F, and FA lenses become another camera control dial that just happen to pass light thru. Auto-focusing is fast and accurate beyond my needs. None of my pictures so far have missed focus or exposure. The TTL flash is simple, versatile, and real-world useful.

I am amazed how effortlessly it can shoot through a roll of film and how smooth the shooting experience is. Can hardly feel the mirror slap or hear the film wind, it just makes a short quiet "clkzrr" then it's ready for the next shot. I am free to concentrate on the things that really matter: composition, depth of field, motion, and breaking the rule of thirds or not. This is the first camera I have owned that "gets out of the way" of my picture taking without feeling like a point and shoot. Yet it is that, too, when I want it to be, like for quick shots around family and friends.

If my 5n breaks I'll gladly fix or replace it because there isn't a better option available. The PZ1 and MZ-S are the only significant upgrades to this at the cost of greater weight, bigger size, increased complexity, and higher price but still have the same image quality. For all that, I'd switch to a 645n knowing now that it operates exactly like my MZ5n and that I'd gain the substantial benefit of the improved IQ of 120 film.
   
New Member

Registered: November, 2013
Posts: 8
Review Date: December 30, 2014 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: $25.00 | Rating: 9 

 
Pros: diopter correction, excellent pictures
Cons: spring of flash, too much plastic

this is a "light version" of sfx, but with indication of aperture in viewfinder and spot-metering.

plastic construction, but very fine pictures with it.

very usefull with AA-battery-grip.Have experience with some items of this line. a metal body would be better.
   
New Member

Registered: February, 2011
Location: Seattle
Posts: 6

1 user found this helpful
Review Date: March 2, 2013 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: $300.00 | Rating: 8 

 
Pros: Classic retro-design, easy and quick to use
Cons: faulty spring on pop up flash

I have owned two of these well specced bodies for ten years or so and was generally happy with them. As always, the minority who get problems are the most vocal and generally you don't hear so much from the people who were simply satisfied.

The camera layout is straightforward and there is little need of an instruction book or manual with all the controls easy to find. Unlike some reviewers I found the construction to be fairly solid; certainly more solid and a bit heavier than than some budget Canon and Nikon bodies of the same period.

The two problems that occasionally turn up (mirror hinge and pop-up flash spring) can both be fixed cheaply if you are willing to have a go - there are instructions on the internet. One of my bodies developed the flash spring problem but this was after ten years of use.

For me this camera was a reliable, delightful to use, semi-pro design. I just wish Pentax could produce a DSLR with a similar layout!
   
Forum Member

Registered: September, 2009
Location: Kyoto
Posts: 72
Review Date: December 29, 2012 I can recommend the Pentax MZ-5N / ZX-5N: No | Price: $40.00 | Rating: 6 

 
Pros: strong intermediate-grade featureset, reliable operation
Cons: plastic, flimsy, small viewfinder

I'm being over-negative in the rating. It's a perfectly fine intermediate-level Pentax autofocus film body, and far, far better than most of the rest of its stablemates. The finder is small, but clear and with a good, modern display to one side with plenty of info. The autofocus is low, basic, but accurate. There is a traditional shutter-speed dial, and quick access external controls for the meter coverage and EV compensation. There's even a top LCD, though it only displays shooting mode and film count.

The best thing this model has going for it, vs. the cheaper variants, is you can use it easily in full manual, and quickly move to S, A and P modes by turning either one or both shutter speed and aperture dials to "A". If the lens is Pentax A or FA, that is. Older lenses are still quite functional though.

The most annoying thing is probably the lack of an exposure lock, and of any control over the 3 autofocus points. Its not devastating, but coming off a modern dSLR, its frustrating. I use it in manual mode.

Thing is though, it's neither fish nor fowl: too new to be fun as a vintage camera, too old to be convenient, too simple and fragile to be a professional (or even enthusiast) tool, yet unnecessarily complicated for an beginner.

It's not the prettiest camera ever made, nor the nicest one to fit in your hand, or even especially easy to manipulate.

Also: the batteries are frickin' expensive!

I bought it to give my FA lenses a workout in full-frame every once in a while. For that purpose, it's great. As a film body, though, it's no ME Super, that's for sure!
   
Veteran Member

Registered: December, 2007
Location: Prague
Posts: 1,199
Review Date: June 8, 2012 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: $80.00 | Rating: 9 

 
Pros: very precise AF and metering
Cons: none

This camera is not the hottest in terms of specifications, but works well. I never had any problem with it's metering and the AF is precise enough for use with 85/1.4 wide open - even though it is not too fast.
I like the easy to use controls and light weight of it. The camera has proven to be very dyrable in abuse, but it is known that the plastic hinge in mirror box is a time bomb and it will sooner or later fail me.
   
Veteran Member

Registered: July, 2007
Location: North West UK
Posts: 382
Review Date: August 25, 2011 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: $400.00 | Rating: 8 

 
Pros: Traditional controls, good AF, quieter shutter than K series DSLR's
Cons: It HAS to have aperture ring lenses to control, number of AF points, it's plastic!

I have had this camera new for 12 years, and it still works great.
Unlike some reviews on here, all of the functions still work excellently, but thats maybe because I have only put around 100 rolls of films through it, so it is not heaviley used.
It only has 3 non-illuminated AF points, but considering its era, thats okay.

As for accuracy, yes its great and with good lenses and fine film perfect for the job.

If you find a good one, buy it, as it gives you the traditional control and makes you think more.
   
Review Date: June 28, 2011 I can recommend the Pentax MZ-5N / ZX-5N: No | Price: $40.00 | Rating: 3 

 
Pros: Packed with features, old school Pentax
Cons: Not sturdy, slow top shutter speed

On the one hand this camera is very good with lots of handy features. And, its traditional layout reminds me of older Pentaxes. Very light weight too. Unfortunately, the camera does not hold up well. I had had one for not even two years before it broke down. From what I have read on this forum and other photography sites this camera does not have a solid reputation for reliability. Mirror lock up seems to be a major issue. If it wasn't for mine breaking down I would have rated it a 7 or 8.
   
Forum Member

Registered: April, 2009
Location: Sterling, VA
Posts: 70
Review Date: June 27, 2011 I can recommend the Pentax MZ-5N / ZX-5N: No | Price: $35.00 | Rating: 3 

 
Pros: Easy to use; great features
Cons: Cheap, unreliable

This camera is very easy to use and is packed with great features. Like everyone else has said, this camera is a throwback to older Pentax film cameras. However, it is very cheap in feel and construction. I have had three of these and within a few months of purchase they all suffered mirror lock up problems rendering them useless. I have been told this problem is common not only with this model, but other Pentax ZX cameras. Too bad as this camera otherwise is great.
   
Veteran Member

Registered: August, 2010
Location: Winnipeg MB
Posts: 350
Review Date: December 19, 2010 I can recommend the Pentax MZ-5N / ZX-5N: Yes | Price: None indicated | Rating: 10 

 
Pros: A very versatile modern classic auto focus film camera, penta-prism viewfinder
Cons: weak plastic mirror motor gear prone to break

Pros A very versatile modern classic auto focus film camera, penta-prism viewfinder, metering mode switch
Cons weak plastic mirror motor gear prone to break
Rating 10
Price (U.S. Dollars) free
Years Owned one year
I can recommend this camera: Yes

Value, Features, Performance & Size
A light and small camera good for traveling

Camera Review
After reading the review here, I decided to acquire a copy of ZX-5n for myself as I didn’t have any auto-focus film camera. I contacted an ebay seller and he informed me that he had non working one with mirror locked up and would give it to me for free. This is a widely known problem among ZX series of cameras and has been discussed in the film SLR forum. I therefore prepared to tackle this problem myself as the price for professional repair is prohibitive. After replacing the mirror motor, I ran through a roll of film. I really like this camera; it has all the attributes the above reviewers already mentioned. The only weak point of this camera: “it's not a matter of if the camera will break...only when.” I will document the detailed steps how to replace the mirror motor. With the new motor in, the camera works excellently without any issue. I use the following lenses on this camera: Pentax F 35-70, 70-210, FA43, DFA 100 WR, DA 40, DA 18-55, and 55-300 (vignetting between 18-20mm).

Tool of the Trade: pencil tip solder iron (ebay $3 shipped from HongKong), de-soldering pump, #000 Phillips screw driver ($4 from RC toy store, Wiha or DuraTrax brand, DuraTrax is made in Taiwan and therefore is JIS type), tweezers, masking tape.
1. Remove the back cover by pushing the little screw attached on the top hinge. Cover the shutter area with a business card and tape. Keep a cap on the lens mount.
2. Remove the bottom plate. Put all the screws together and tape them on a sheet of paper; remember the screw at the lower side of battery door is shorter.
3. Remove all the external screws and tape them on a sheet of paper and write down where they come from. To free the top cover, there are 2 hidden screws need to be removed, one silver screw in the battery compartment and a black one in the film compartment. Remove the cover around lens mount and 2 plastic front covers.
4. Remove 2 screws of electrical contact to the back door with QD in the film chamber, tape the screws and clamp on the sheet of paper. Free the contact and pull on the bottom side. Use a felt pen to mark the screw location on the bottom metal plate, remove the screws and tape them back to the original hole on the plate. Tape the film transport gears. Remove the spring and a black plastic tube on the right side.
5. Lift up the top cover. If the camera has not been used for a long time, there shouldn’t be any charge in the capacitors. Otherwise, measure the voltage between the wires (green, blue) come from flash to the flash board. Un-solder the 4 wires. Make a drawing for the location on the flash board. Un-solder 2 black wires and a red wire on the battery contact right beside ON/OFF/SHUTTER switch. Make a drawing of solder location. Attach masking tape on the red wire indicating B+. Unsolder the pin at the edge of the battery contact; this is not connected to – of battery. There are 4 pillars near the prism housing connecting the flexible board to the flash board and 2 more at the back edge. Use de-soldering pump while heating the solder point. There are 6 more wires to un-solder on the flexible board near the ON/OFF switch. Again make the drawing, white, green, and yellow, red, purple, black (re-solder in reverse sequence). Bundle the 2 and 4 wires together with tape. Remove the screw near back edge. Lift up flexible board carefully. Underneath the circuit board, there is a black plastic support which is attached to a hole beside the prism housing, pull it a little and bend the circuit board up. Don't need to disconnect the red wire on the flash board. Remove 2 screws and pull out the flash board. Remove the screw on the DOF pre-view switch. (note: in models which do not have DOF button such as MZ-5 and 7, don't even need to remove flash board and capacitors.) Un-solder the black wire on lens mount.
6. Remove 2 screws on viewfinder eyepiece and 2 more underneath the eyepiece. There are 2 more screws on the bottom side between the mirror box and the frame, the one on the right side has a piece of metal attached to it. The circuit board is double-face taped on the prism housing; carefully pry it loose. Now lift up the mirror box a little, more on the gear box side enough to reach the lower screw. Remove all 4 screws. Un-solder the 2 wires on the motor, carefully open the gear box while pushing back the gear to its place. Make sure the yellow and green gears are synchronized by lining up the holes together. Remember the label on the motor is facing the front of the camera. Remove the 2 screws on the motor. Your are done. Assemble in reverse order.
Add Review of Pentax MZ-5N / ZX-5N



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