Originally posted by Digitalis there is no substitute for the real deal mate, you will need a faster lens.
Don't you think that it might have more to do with the focal length? I've never seen a wide angle shot with really nice bokeh.
I reach for my 28mm when I'm working in tight spaces (or for landscapes), but the bokeh is, IMHO, rather poor. Circles of confusion render quite small and don't give me the blur I desire for a "pop".
So when I need that separation I reach for my 50mm or 55mm. The funny thing is, those extra 5 mm on the 55 make for much nicer OOF areas (i.e., large circles of confusion that begin to blur together)... which makes me think that I'm going to want something in the 70's eventually for that separation (my cheap zoom does not count
).
However if you want maximum pop with really nice rendering... check out the reviews on the 35mm 2.8 macro... all of those images really pop to me because of the amazing rendering (sharpness) and the nice bokeh rendering. Since you have a proclivity for wider angles... it might be a good compromise. Besides, you will still want to have that 21 around when compositions are tight.
The other option would be the aforementioned FA 24mm 2.0, which is said to be phenomenal by people with much deeper pockets than I.
Just a thought. Glad to hear you are figuring it out, Trog!