There is no "digital edge" and hasn't been since about the third generation of consumer playback equipment. What audiophiles hear are the frequencies present on the master tape, the frequencies the artist, engineer, producer etc. wanted to be there... but which they would rather remove artificially in the listening chain. Tube systems may be more pleasant to listen to, depending on taste. But by no means are they more "natural" than what I get out of my RME digital converter at 24/96KHz.
Even our ear operates in a manner similar to digital sampling. So much for the argument from nature!
I will stop responding to this subject, now, as this is way off topic. Decades of experience have shown me that there is no convincing those who fervently believe (not implying you, Les, are one -- I don't know enough to make that claim). And it is as a red flag to the bull (me).
In case I convey the wrong idea: I am happy that some mysteries stay mysterious. As I am also willing to compromise on perfection in audio and other realms. I can listen daily to MP3 files knowing full well that a side-by-side comparison to the "originals" will reveal many flaws. But while I am listening I prefer to focus on the content and not the package, so long as the latter is not too irritating -- nothing below 256Kbps VBR please!
Just as I am willing to compromise on the joke called "stereo".
Then I go back to working on my new eight-channel 24/96KHz composition in happiness.