Originally posted by GlennG I see these terms used quite a bit when reviewers describe their lenses here - quite often describing the qualities of their prime high-end limiteds. Are these terms defined, quantified, or otherwise measured? If I were to examine a spec sheet for any lens, how would I tell whether it has rendering or pixie dust? Thanks. Glenn
I've been pondering that question for a long time. Before I invested in Pentax, I shot with Leica cameras and lenses (film) back in the '80s and '90s. Before I owned them I had Nikon gear. I switched to Leica because their lenses produced something I couldn't define. But knew I liked it, and so wanted to find it again using Pentax.
I haven't owned any FA LTDs yet, but I have hopes of at acquiring the 31mm soon to see if it has what I'm looking for. I did own the DA 35mm LTD and the DA15mm LTD, but sold them both. I know I asking for trouble by saying this, but I found them lacking the kind of pixie dust I'd had with Leica.
That's when I discovered the Voightlanders, and realized they render the unique sort of IQ that appeals to my tastes. But what is that quality?
Telling my wife about it, I said it reminds me of the difference between tube amplified music and solid state amplification. In the case of the DA LTDs I'd owned, they did everything right -- sharpness, color, etc.-- yet there was an "edge" to them that seem a bit stark compared to the Voightlander lenses, which yield all the detail of the picture, but in a more laid-back way (sort of like tube-amplified music).
Still, what is that quality? My current theory is based on how we see three dimensionality. I mean, reflected light from objects is reaching our brain and translated in a 3D way. That's how we experience reality (visually) so that's what we expect in a picture.
I think some lenses are able to capture light fall off, shadows, and highlights of a scene that are the same types of information which create 3D experience in the brain using our eyes. Using the stereo system metaphor, when a note is played live it has a natural duration from the initial strike of the note (called attack) and then a natural time it lingers, known as "decay." Good music systems are able to capture much of the note decay (if it's on the recording), while poorer systems may get little. If you are an experienced listener, music that is too much "attack" seems harsh, although those who like music that way may describe it as "detailed" or "crisp."
Similarly, it seems that lenses sometimes get defined primarily by sharpness, but for me that isn't enough. I want the subtle nuances of three dimensionality that naturally "soften" the edges of details, just like my eyes see things. Sharp
and 3D . . . one can imagine it is difficult to achieve in one lens.
Pictures I've seen taken with the FA LTDs seem to have it (at least the 31mm and 77mm, I haven't seen enough 43mm pics yet), some Zeiss lenses appear to, I saw shots from a Leica lens (35mm I think) adapted to the Pentax that were amazing, and as I said, I believe several of the Voightlanders have it.