Originally posted by s.randy Oh I see hmm that leaves me with some more to think about.
Very good points and takes me back to my original thoughts at the beginning of this post. However I know I like to 50 FL and I already have a 50 but I get super mad when I miss focus with it and I have to scrap a good photo. So that brings me back to why I'm concerned with which lens will give me the best sharpness, bokeh, build quality and work well for portraits and I'm not so worried about FL. If I didn't suck at focusing that M 50 so much I think the choice would be way easier
Thanks again for all the feed back this has been an awesome and informative thread...at least for me
If you like the 50, but just hate manual focus, sell the M 50 1.7 for whatever you paid for it.
Sharpness differences between these lenses are unimportant really. The FA 50 is only soft at 1.4. The difference is field of view (the 40 is slightly more flexible, and worse for traditional portraits), DOF (the 40 can do low DOF if you get fairly close, and the bokeh is smooth, but it's just not the same as f2). The 50 and 40 are crazy sharp. The 50 is a larger lens (not that big though) and requires a good hood, which makes it substantially larger than the 40. The 40's colour and contrast are so good they are actually enhancements of the real world... while the 50 is very good, but more faithful. Most of those differences aren't so important with post-processing.
The 50 and 40 are both insanely good for the price. The 50 gives you more flexibility with DOF, and the 40 gives you more flexibility with composition.
In the end though, it's not an easy choice. I don't find the 50 too hard to work with (I use my 55 inside all the time), but if you pefer a wider FOV, the 40 is really nice. I also think the 40 focuses faster too.
For portraits though, there is no question in my mind - get the 50 (used try to find it for 250, it can be done!) Sell the M 50 1.7 as well.