Originally posted by paperbag846 But don't listen to me... listen to Wheatfield and Marc. They know their stuff better than 98% of the members on this board.
Even people who are knowledgeable in certain aspects of an area can get it wrong for other aspects of the same area. It is never a good idea to rely on authority. If someone prefers the rendering of one lens, they should go for it, rather than listening to some proclaimed authority.
Originally posted by paperbag846 "Each optical house may be a stately shadow of its former self in the minds of 35mm photographers today, and lens quality may not matter any more anyway — Canon and Nikon are awfully darned good, and nobody makes any dogs, and it's all going digital anyway."
This is a perfect example for quoting out of context.
Directly before the paragraph you quoted, Mike Johnston writes
"A nearly ideal short tele, the 77mm Limited is superb — contrasty, excellent for portraits wide open, with a truly beautiful, delicate bokeh that compliments the almost 3-D vividness of the in-focus image. Tops in its class? There are certainly a lot of great short teles out there. But I can't name an AF SLR short tele I'd put above it."
And then within the same paragraph you quoted from
directly before the passage you quote he writes
"Granted, three lenses doth not a legend create. But if you're wondering which autofocus lenses are ne plus ultra, I submit that little has changed since the days of Kennedy and Kent State, Barbie and the Beatles, when "the Pentax" was the best-selling SLR there was and Zeiss was the world's most prestigious cameramaker. "
Directly after the passage you quote he writes
"But when it comes to the best autofocus lenses in the world, whether for a viewfinder camera or SLRs, it's still Zeiss and Pentax, baby, same as the old days."
Conclusion: Mike Johnston says the exact opposite what you were suggesting he said.
Originally posted by paperbag846 These arguments will continue as long as people treat lenses like artifacts with magical powers, instead of glass with refractive properties.
That's absolutely not the point. Rather, the arguments will continue as long as some people care for subtle differences that make a big difference to them while others are not that fussed about differences at that level.
Our forum Pentax Pro benjikan shots with the Pentax 16-45 zoom. He says it's a great lens. He also says that the kit lens (18-55) is an "excellent" lens and that he'd use it for paid shots stopped down a bit. And he's right; for certain studio shoots the kit lens is all you need. I can fully see that Wheatfield doesn't need a FA 77/1.8 in the studio when he has a DA 70/2.4. But this doesn't mean that people interested in available light photography with emotional impact are not better off with a lens that renders differently.
BTW, it doesn't render differently because pixies have been dancing on it, leaving the precious "magical dust" behind. It has a different optical formula and there is a white paper by Jun Hirakawa that goes a little bit into the design goals of the FA 77/1.8. To me it is obvious that everyone who refers to "pixie dust" or "magical powers" uses that as a shortcut to talk about some rendering properties that are a) appealing but b) not easy to describe, and maybe even c) not easy to recreate.
Even the great Jun Hirakawa didn't deliver on the DA* 55/1.4, AFAIC. Yes, it is an improvement over the FA 50/1.4 in terms of sharpness wide open and in the corners. But does it have great bokeh? Is it in the same league as the FA Ltds. regarding adding something special look to your image? I personally don't think so.
It may not be possible anymore nowadays to launch a product lens like the FA 77/1.8 with its obvious flaws anymore. Everyone expects great measurement results and a lens with such PF and non-flat field of curvature would probably not fare well in reviews (Photozone gives it 3 out of 5 stars for optical performance..., not exactly advertising for a lens with such a price tag). But I'm pretty sure that the obvious flaws of the FA 77/1.8 and its appealing rendering go hand in hand. For me, while I pixel peep from time to time to see whether I've got my focus right, etc., ultimately the whole image and its emotional impact counts. Personally, I find that the FA 77/1.8 wows me a lot more on that level than the DA 70/2.4.