I've always wondered what's stopping Pentax from reissuing old designs that are known to be good in some of their newer housings, though: for primes, why not just put some of em in DA (WR?) *housings* and have a line of accessible primes that are known quantities? They'd have a whole market right there, maybe not a huge one, but they'd have a lock on it and it'd go with the rest of the marketshare. Also free up some resources for the things people want to see like long teles and the rest.
I'm kind of *here* cause I'm just the type who could do 95 percent of her stuff, film and digital, with a few Limiteds and my FA 50, and for some occasions a decent standard zoom. (The Tammie 28-75 would serve there, for me, really) But those Limiteds aren't as abundant and relatively-affordable as they once were, partly due to Pentax being more successful with their *bodies* and all.
In part it's precisely because I think I could just buy those few lenses and be pretty much done that I think Pentax would be well-served by fairly accessible primes. This'd really be playing to their strengths. Get people in, respecting the brand, and then there's *always* going to be a better zoom to sell a lot of people.
I'd say, get some prime lenses out there on people's cameras, let the images do the talking. I think a bunch of 2.4's, if need be, would be sufficiently fast, if not as impressive to us, for this, as long as it's a really *good* and very usable 2.4 (which this new 35 seems to have) Everyone wants everything as nice as possible, of course, but probably for a lot of us, we want that one or two or three lenses to be really capable and just-right and the rest... We might buy to fill gaps as long as they make good images and will do the job.
(Some old stuff that was left on my browser during my extended Net outage when I thought I was back online: I include just cause someone seemed interested in the big Sigma 28 back there and I love the idea of say, the A28/2 in an AF version.
I might have clipped it otherwise, since the discussion moved on, but I still wonder: how would that A28/2 in a DFA housing of some kind pan out here? )
Originally posted by miltllama +1 to this, I would definitely prefer a faster lens at that price than a slower one that's cheaper. DA28/2 limited would be great! I'd probably be fine with a 24mm too.
Maybe make it a DFA with an aperture ring based on the old A 28/2, if you want to make a probably-pricey one.
But maybe they could do a DA WR prime: I do like that 35/2.4's results from what people have shown here: it has some qualities I like, like good sharpness across the frame and all: I'd probably rather they made one just a little nicer and with that quick-shift and WR, though.
On the fancies, I could just keep dreaming till I get an FA 31.
That'll do. Or one also wonders, why not just reissue *that* lens, if it's to be a pricey Limited. Something more accessible a little wider would seem to be something people want.
I've got the big Sigma 28/1.8: I rather like it, but it *is* bulky and a bit more imposing to subjects and bystanders than I'd like: (Full frame fast wide angle, remember: fun for actual film use,) but the weight really isn't so bad per se comparable to an old metal lens of more normal size, to my hands, at least.
I understand the barrel's extra big to prevent vignetting somehow, and then there's this focusing ring clutch system which I'm not sure was really so worthwhile, but it's not altogether packed with glass or anything like that. It's pretty sharp across the frame, even wide open, which is useful to me, cause I usually want my point of focus well to the side with a lens like that: FOV-wise I treat it more like I would a 35mm on film than I would a 50, though it straddles around the 43mm mark.
This lens doesn't have a lot of 'life' to it, in some subjective ways, (Just doesn't seem to have much 'pixie dust,') but it can achieve what I need it for technically, and that's good enough for now.
But it does leave room for something a lot smaller: that'd mean I might welcome one of the old F or FA 28's for the time being, if I get a crack at one.