Originally posted by Marc Sabatella Right, I just didn't want the OP to have unrealistic expectations about what an f/2.8 lens could do in terms of *action* photography in truly low light. However, sometimes light is indeed not as low as you think. We are mostly terrible judges of light levels, because our eyes adapt so well for the most part. One might not be aware that there is a big difference in light levels between a show at a small club versus a larger auditorium, but there almost always is.
I would tend to agree, also the type of light they use can vary wildly, stages lit by these damn led systems in smaller clubs can look well lit but really they aren't and are generally near impossible to white balance (given that the red light on stage in this case means a total absence of blue or green, not a good thing in the digital world at all)
there are clubs i just won't bother shooting in for this very reason). I also generally do not trust the meter on the camera to decide for me, it typically overexposes for the effect i want,
Stage dives without flash would be pretty much a no go in most clubs given the diver is not on stage but leaving it for where there is rarely lighting, that and dof at wide open on a 2.8 or faster lens would pretty much kill the chance of getting the shot
I can shoot a performer at 1.7 MF and get good shots (as long as it isn't say iggy pop - but then his shows have tons of light so it's not a worry i could shoot a kit lens in that scenario) but the hit rate definitely goes down below 2.8