Originally posted by 7samurai RioRico - 45 50's? Are you trying to collect every fast 50 out there?
Having EVERY Fast Fifty would be nice, but rather beyond me, so I go for the cheap ones. And as I've mentioned, some members here have MANY more Fifty's than I. I'm especially short on Euro/USSR and USA glass -- a few Meyers, a couple Zeiss and Schneiders, one Leitz, the Industar and Vega and Helios, a couple Cintars and Kodaks, that's all I have there. And I hope to sell the Cintars (Leitz Elmar clones).
Quote: Are there slow 50's?
Besides the MacTak 50/4 (I have the 1:1 version), a few f/3.5's are around: Industar-50, Meyer Primotar-E, Leitz Elmar and Varob, other EL's that be even slower. (I don't have the Elmar, darn...) Interestingly, I haven't run across slow 55's, my slowest being a Porst (Cosina?) 55/2.8 -- and, pushing the edge of Fifty, my Schneider 60/2.8. Maybe I haven't searched enough, eh?
One can never have too many Fifty's.
But you may ask, RICO, WHAT THE FOCK YOU DOING WITH ALL THEM FIFTY'S? And the answer is: Each is a different window on the world. The ST and FA 50/1.4's have nearly identical optics but very different touch-and-feel. The planar Yashica 50/1.4 and Tomioka 55/1.4 render quite differently than the fast Pentaxi. Even my two Zeiss Tessar 50/2.8's -- one black plastic with 5 iris blades, the other small and aluminium and 12 iris blades -- quite differ from each other, and from the Meyer Domiplan 50/2.8 and that Porst Color Reflex 55/2.8. And most of the Fifty's (50-52-55-58mm) when stopped down to f/8, still produce images with varied crispness and bokeh and other qualities. Each is a unique brush to paint with, a unique eye to see with.
As for difficulties with using slow manual lenses on dSLR's: Yes, exposure and focusing are different. To finesse mis-metering, I chimp -- shoot, examine, adjust exposure as needed. To focus with thin DOF, I cheat -- CIF (catch-in-focus) gives me dead-on sharp focus even with my delaminating eyeballs. Practice a bit and it all become habitual and natural.