Originally posted by GeneV I remember on another thread someone discussing who seldom a pro really uses any really wide aperture outside of a staged shot. It is just too easy to miss the focus when trying to catch a shot.
And that's why
f/8 and be there was and is the photojournalist's golden rule. (It's the rule that brings in the gold.) Look at published photos. In low-light and fast-action shots (some wildlife and sports), you'll see thin DOF. Almost everything else has nice thick sharp DOF. Wider lenses have thicker DOF wide-open, so my 24/2 and 28/2 and 35/2 lenses are just wizard on FF and still pretty good on HF / APS-C. There's a reason the Nikkor 35/2 was the standard PJ's lens -- and it was still used at f/8 mostly.
Stop down. Hit the focus. If the background is too obtrusive, well, BG's can be softened in PP. That's an old tradition. But if your subject isn't sharp, don't bother submitting the photo -- unless you (and your editor) *want* some blur, for drama. But hay, don't just believe me. Study some books and magazines filled with photos. Take notes about DOF, count those that are thick or thin. Surprise yourself.