Well, I shoot from up close most of the time too, but different people have different shooting preferences. Your "closeup" shot is still pretty wide by my standards. And of course, you can only get even that close to someone at the very front of the stage. But some people prefer more of the setting than I usually do. My most used concert lens is my M120/2.8; second is my DA70/2.4, and all my 50mm-and-under lenses combined probably don't add up to 20% of my concert shots. But I tend to go for pictures like this:
Anyhow, the point is, the reason to add a 70 or 77 would be for the extra length it provides. If you want the length, you need a need a new lens. If you don't want the length or don't consider it worth the expense, I'd say, don't bother just for the greater maximum aperture. For a lot less, you could get a 50 if there are times when you think the extra stop or two would make the difference and you are willing to pay for it in shallower DOF. The only reason to go with the 77 instead of a 50 would be for the focal length. And as soon as you acknowledge that, then the 70 could come into play as well, as could a 100, the 50-135, or other options.
As for sharpness, the sharpness of lens is almost *never* going to be the determining factor in sharpness for concert photography. Too many other variables involved. In particular, the need for high ISO robs you of sharpness, and of course, subject motion, which can only be partially compensated for by increasing shutter speed. A 77 will allow faster shutter speeds for a given ISO; that is what will help (somewhat) in sharpness, not the actual sharpness of the lens. But even so, it will remain a crap shoot. Lots of blurry images, with skill and luck, a few sharper ones.