Originally posted by MichaelBilson ..... My current trio is the 15mm + 43mm + 77mm (still saving for the 77mm
). Should a FF camera come out, I will make it a 24mm + 43mm + 77mm combo.
The simple response is to stick with the K, M, A, F, and FA lenses for full frame compatibility. Avoid to some degree the DA lenses, since in most cases they are tailored to the smaller cropped sensor size image circle. There have been at least a couple of threads in the past few years that have discussed using DA lenses on full frame sensors, in terms of which ones would provide suitable image circles on the full sized sensor. I found one, but I think there was at least one other also.
What I don't remember is on the DA 15 in terms of what it might look like on a full frame sensor, but I do not believe that it would be really useable.
Originally posted by MichaelBilson Hi thanks for your replies. I should have been more specific. I am more of a landscape-street photography-prime lens-guy. I am not much of a portrait shooter.
What I meant to ask is what would be a good setup that can easily be upgraded to FF with a lens or two; and also keeping a similar setup in terms of focal length (considering the 1.5x). I really like my 15mm and I'll replace it with a 24ish lens if FF ever comes out. I won't buy a 31mm, because I don't link the focal length on a FF camera.
Then you are really to some degree looking at lenses with focal lengths below 50mm. Would you consider manual glass only? If so, the old Contax lenses remounted to the K mount are wonderful. They are full frame, and are used extensively on the current crop of Canon digital bodies, with excellent results - as they have the lens resolution for digital imaging. The problem is that with the wider angle lenses, they are getting expensive. So much so that the current Contax 25/2.8 is essentially now going for the same price as the new Zeiss 25/2.8 ($750 if you look around) before you factor in the cost of the new mount ($100). The 21's and 18's were already prohibitively expensive. In terms of prime there really nothing that is wider than 15 degrees for full frame - that is rectilinear. The physics of optics that applied to film cameras are still in effect for digital cameras. It takes complex optical designs with lots of high quality glass to pull in the edges in to the frame and get them focused on the sensor plane, with as little distortion as possible.