Originally posted by beholder3 One major effect is the direction of the light. Sometimes it creates great contrasts in some areas, sometimes its just flat.
I personally have a few spots of the scene which I check when I want to compare them. With a little experience as photographer I think it is quite easy to not get confused by the atmospheric situations. It should also be what it is about: sharpness, nothing else.
If you go into the galleries for the individual lenses you can click through the aperture settings. It's no surprise, but you can see how a very lowly lens like the M200/4 really gets to be rather good at f/8, right to the edges (unlike the cheapo zoom alternatives).
It also seemed to me that the much vaunted superior sharpness wide open of the 50/1.7 vs the 1.4 isn't quite as cut and dried as people like to make out. (Even stopped down a bit my M50/1.4 is better than my 1.7 at the edges).
Also confirms my impression that the well-loved M28/3.5 has to be stopped down a lot to get really sharp corners. Like f/11. Otherwise it stands up very well to very much more expensive competition.