Originally posted by stevebrot Lowell is so right. Back-in-the-day, for 35mm, a portrait lens meant any short to medium tele with reasonably large maximum aperture, That usually meant some where between 70mm and 135mm with f/2.8 at the long end and f/2 or wider at the short end of the range. The intent was to provide: Reasonable working distance to avoid freaking the model Adequate working distance to ensure low anisomorphic distortion Shallow DOF Good bokeh was usually not a concern. (Heck, I never even heard the term "bokeh" until well into the digital age.) Photographers would often use soft focus or doughnut filters to even out skin tones and give the photo that dreamy look, hence lenses like the 85/2.8 Soft
I remember photographers shelling out for Carl Zeiss Sonnar 150mm f/4 lenses and stretching white stockings over them*.. However I have to agree, I never heard the word "bokeh" until the mid 2000's at first I thought it was a joke. I love 135mm lenses on 35mm cameras I loved the focal length, to me 135mm of greater utility in terms of focal length than 200mm lenses (too long for portraiture, too short for wildlife) but I always hated the colour fringing they had - I never really warmed to the Pentax A*135mm f/1.8 because it suffered from rather bad LOCA. There is always the ticklish subject of camera to subject distance and personally I prefer to be around 6 to 12 feet away from my subject**
When it comes to portraiture there are many things, like personal taste, and preferences for colour rendition to be taken into account but for what it is worth: I think the Voigtlander APO 125mm f/2.5 Macro SLII is what I consider the "perfect" portraiture lens. Also the Leica 180mm f/3.5 APO-Elmar-S is simply sublime.
*Sonnar lenses have a tendency for being expensive but they are extremely contrasty lenses, hence the use of stockings to lower contrast and provide flattering portraits of female subjects. The old Nikkor 85mm f/1.8D had this characteristic - which has sadly been lost in the current iteration.
**Of course that depends on the format i'm using, the lens I most commonly use for portraiture on 8X10 is a schnieder 600mm f/9 APO Tele-Xenar which as one model said to me that from a distance of 6 feet gives the visual impression of being in a staring contest with the eye of sauron. On 8X10 this lens gives me a FOV roughly equivalent to the DA70mm f/2.4 on an APS-C camera - though the 8X10 camera is considerably bigger than a K5/wDA70 does make things a bit problematic.
Last edited by Digitalis; 10-15-2012 at 12:08 AM.