Originally posted by pinholecam To me this is a myth.
Partly propagated because the F50/1.7 was in the past much cheaper than the recent FA50/1.4 price.
So many gave it high praises.
I've tried all the A and M 50s.
With a deep hood, they were all so close to be splitting hairs.
I find that the FA50/1.4 is not soft wide open.
Often its either lack of contrast (no hood or challenging condition) or poor focus due to shallow DOF.
Unfortunately for the latter, I personally find that the AF is not precise enough to be tack accurate most of the time.
Manually focus with time or on LVAF or LFMF, the FA50/1.4 is certain pretty sharp wide open.
I have the f50 1.7 and tried the fa50 1.4. I prefer the 1.7 due to being sharp wide open and insanely sharp at f2.2 It's also my fastest and most accurate focusing lens, in all conditions.
You raise the point that the 1.4 gets slammed only because it's more expensive than the 1.7. I can assure you that for the prices the 1.7 versions go for here, one could easily jump to the 1.4, even as new.
You are dead on about the point about the lens hood- I found, as written in the reviews, that the 1.4 benefits hugely from a hood. It's not up to the aggressive sharpness of the 1.7, but they're not far off. Colors and contrast mostly improve.
Where the 1.7 gets me is that it's sharp from wide open, without fuss. I don't use it with a hood, which preserves the compactness. The front element is recessed, so it looks as if no hood is truly needed, though I've used one just to see and saw no difference. For my money, the 1.7, with its faster focusing, lack of a need for a hood, and compact dimensions without the hood do it for me.
However, it's in a range that I rarely use, but for concert shoots, when I am on the stage with the performers, it becomes invaluable.