To cut a long story short: I mostly shoot digital, but recently I got interested in shooting film, too. Alas, it's a bit ironic that I have accumulated a venerable collection of PK and M42 glass and cameras. But it's getting a bit too much before I have even started...
So when I went to my Pentax dealer today, I saw a K-Mount Exakta 24mm f/2.8 for €39 (less than the lens cap!). The Exakta would fill the gap of wide angles in my Pentax fullframe repertoire, and although it's got mixed reviews (from raging to raving) the thought crossed my mind: Why don't I just sell my M42 lenses?*
For Pentax K-mount I have a MZ50 and a MX Super to mount:
- Miranda 50mm F2 (my first ever prime, I kinda like it!)
- Pentax M 50mm F1.7 (with a few specks inside)
- Pentax M 135mm F3.5
- Ricoh 200mm F4 (apparently a rebadged Pentax M 200mm)
- Sigma Zoom 28-105mm F3.8-5.6
For my Practica MTL5 on M42 there's:
- Pentacon (Orestogon) 29mm/2.8.
- Carl Zeiss Jena Flektogon 35mm 2.4
- Pentacon (Meyer Oreston?) 50mm f/1.8
- Carl Zeiss Jena Tessar 50mm 2.8
- Carl Zeiss Jena Sonnar 135/3.5
- Practicar 135mm 2.8 (Unfortunately not made in GDR and kinda jammed)
I prefer my MX Super over the MTL5. At the same time, many of the lenses are duplicates at a focal length. I have three 135mm lenses, and about five at 50mm (including my Sigma for digital). I don't think there's any point keeping them all, and maybe I should just switch to the K-Mount? Then I could use all lenses on my K5 without the need for an adapter.
The situation is a bit complex, as I'm in the process of moving, with parts of my lenses - including my M42 adaptor and my beloved Flek - in storage for a good few weeks, or even months. But either way, I'm sure it cannae go on like this, I have to figure out what lenses to keep. After all it's not about the lenses, but the photos. And I want to go out and take real photos, not just samples to compare lenses...
I haven't even had the chance to try out all of my M42s properly yet, to figure out whether I become attached to them. So far, my impression is that I really, really like the Flektogon, and I'm tempted to keep it even though that's got a decent resale value. I also like the rendering of the CSJ Tessar, and as they don't go for much I might as well keep it. But then, I already have a DA35, and maybe it would be better to just get rid of all of them and invest the money into the DA35mm Ltd Macro. I'm even less sure about all the other M42 lenses... tricky, tricky.
So far, a few sample shots:
The Oreston at a double exposure. This was pushing the film a bit, but I really just wanted to fill the roll to see whether my Practica was working:
Here's the Flektogon in Edinburgh:
I have also done
a few boring comparison shots between the Flektogon and the DA 35. (I have a few more shots of these but have a hard time figuring out the aperture for comparison shots, or distinguishing the Tessar and the Flektogon, as I've been using both at the same time)
I must say I prefer the Flektogon - not just from these photos - but from the general handling, the bokeh, depth of field (seems shallower), manual focus, build quality, etc. I wonder how it would measure up against the Pentax 35mm Macro Limited. There's an old dpreview thread saying the Flektogon kills it, but there's no direct comparison.
So... how do you go about testing a large number of lenses. Do you go out and shoot them, then play it by the ear, or do you do proper comparison shots? Is convenience (one mount to rule them all) a good reason to sell gems like the Flektogon? Or should I keep one or two M42s?