Originally posted by carrrlangas Besides the Angle of view difference, comparing lenses stopped down wonīt give you much information. Imagine a $300 lens at f/8 vs premium $10,000 at f/8... If based on that results, you could say thereīs not that much advantage of the premium lens ver the cheap one.
As far as I can tell, this is based on the (patently false) assumption that the only significant difference between lenses is resolution. But if you took the same landscape image in good light with the DA 18-55 II and DA 15, both at f8, and made an 16 by 24 print of each pic, the DA 15 image would look better. It would have more snap and richer, deeper, more vivid color.
Originally posted by nomadkng the 18-55 produces decent images, but they seem more high end p&s or high end camera phone looking, like I'm looking through a window. its still a nice image but it doesn't have the finite details or a sense of making things pop. color is decent and I would imagine in PP you can saturate a little to compensate.
That's pretty much was my experience with the 18-55. Nor does PP serve as an adequate substitute. I spent years trying to get colors I wanted from images taken with the 18-55, but somehow the pop, the vividness just wasn't there. You can make dramatic changes to color in PP, but often the subtle changes that really make a difference just can't be attained. Lenses like the 18-55 block more of the color spectrum so that you have less color information to work with in post. When I finally broke down and bought the DA 12-24 for $560, I discovered, much to my surprise, that I was getting the colors I had wanted all along right in the camera. And the microcontrast as well. I thought I was going to get better images because the DA 12-24 was sharper. Wrong. It was the microcontrast and color rendition that made the difference. And while that difference may not be huge, it can be a critical X-factor. With the DA 18-55, I would get a lot of mild praise: "Oh, those are nice photographs," etc. etc. Now I get, "Wow, those are amazing" and I win prizes and sell images.
Of course, all this is dependent on one's skill as a photographer. A lens, no matter how good, can't make a bad or mediocre photographer into a great photographer. And certain types of photography benefit more than others. If you prefer aless crisp, "atmospheric" look and you're not into vivid color, there might not be much benefit in moving on to the DA 15. But in landscape or architecture work, the DA 15 can produce stunning results that the 18-55 II could never even dream of matching.