Originally posted by Digitalis Which is why I suppose the Helios crowd has so much fun
Which Helios...the name, after all, refers to a "family" of lenses in various mounts, most of which have no elements of shared design. I own the Helios 103 53/1.8 (Kiev/Contax mount) as well as the Helios 44M 58/2 (M42) and, for the record, have little interest in owning the Helios 40-2 85/1.5.
Your comments regarding optical faults is interesting, however. This is particularly true in regards to the Helios 44 series of lenses. As is well known, all draw their heritage from the Carl Zeiss Biotar 58/2 and all share that lens' strong points as well as its foibles. That is to say that the center is consistently sharp at all apertures while the margins are...well...they are not so sharp. This softness is even readily apparent in the viewfinder of a good 35mm film body. Additional strong points are lack of distortion and CA. There is also the matter of bokeh which can range from very, very nice to "interesting" depending of your copy of the Helios 44 or Biotar.
Soooo...is that lack of edge sharpness a serious flaw or is it a feature to be leveraged? Or is it of reduced importance to those of us that regularly do serious work using the pedestrian APS-C format where the edges are no longer in the frame? Is the currently trendy "swirly" bokeh (shared with a number of high pedigree optics) a highly sough-after asset or a bother. (My copy has virtually no swirl.) Does the lack of CA, PF, and distortion offset the weak points?
FWIW, I like my Helii and am pleased to note that several of my PPG images (while I was still active there) were taken with the the Helios 44M. (Most of the others were taken with lenses of similar dubious reputation.)
Steve