Originally posted by regken This just baffles me. You say you could only afford the 50 but are saving for the 16-50. According to the survey Buddha Jones posted about 1/3 of the buyers of this lens got a bad copy. Both isteve and Ben have given up on this lens and both of them know a lot more about lenses than most of us. There seems to be good evidence the design of the AF mechanism has some weak parts that will give you problems down the road. You and many others are still willing to lay out over $600 for a product with all of these problems. Why on earth would anybody be willing to spend this kind of money on a poorly constructed lens that will have to be sent back 1 out of 3 times? I just don't understand the logic here and would love to have somebody explain it to me. Don't bother to tell me that when you get a good copy it does a great job because you still have the poorly designed problem facing you down the road.
Regards,
Ken
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h a p p y h a p p y j o y j o y
It can be an ordeal if you land a bad one. I
*almost gave up, but I'm extremely glad I didn't.
I guess your question could be answered this way: If you're willing to possibly put in some extra effort, you are absolutely guaranteed to get a good copy - and a "good" copy is exciting to own and well worth the money. (sharp, contrast, color, SDM, weather sealing, f/2.8 constant)
The 'extra effort' would entail 1) exchanging lens, possibly more than once, or 2) sending in to Pentax for warranty adjustment. That's IF you get a bad copy in the first place, which seems to be happening less now.
Anyway, to the OP, I'd suggest you get rid of any lens you don't use. It's nice to simplify.
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Last edited by jsherman999; 04-16-2008 at 11:16 PM.