Originally posted by carrrlangas My contribution:
I remember reading on this forum that a member asked a Pentax representative what was the dfiference between DA40/2.8 and FA43 and the reply was that the former was more suited to architecture and performance at infinity and the latter to skin tones and performance at close focous.
Also, The color differences could be mitigated with the use of a Macbeth color chart and a profile editor (Such as X-rite colorchecker or much cheaper
CameraTrax and the
Adobe profile editor).
There one can modify Saturation, hue and lightness for each color and this can be done for each combination of sensor + lens so that any contribution of the lens is neutralized. I think this would be an interesting test for a CCD vs CMOS using the same lens. Also, for two lenses of the same focal length by different manufacturer, compare two unprofiled pictures and two profiled pictures using the same sensor. Both this tests would make sense using lenses with distinctive quaities. DA15 comes to mind, IŽll see if I can do the first test
I think 'mitigate' was a good word choice because you'll only be able to partially compensate or adjust for the differences. If you run a test it will be interesting to see just how much it adjusts.
The DA*16-50 is probably different enough from the DA15. It would be even better if you had a Samyang 14 or 16, or a Sigma 8-16.
---------- Post added 05-16-14 at 12:55 PM ----------
Originally posted by RGlasel Practice post processing; infinitely more control, less time consuming (compared to interviewing and auditioning lenses), drastically less expensive and you aren't locked into your favourite look on every picture, for all eternity.
How about doing both? Anything less would be short-changing oneself.