Originally posted by DavidSKAF3 And now, if I add up the cost of all the lenses I've come to own (30?), I realize I could have bought three or four of Pentax's very best lenses, and have a great but small, minimalist kit! Am I going down the wrong road?
It depends on a number of factors. A minimalist kit, even if it involves the very best lenses, would likely be a generalist kit, with few, if any specialty lenses. I have 18 K-Mount lenses, of which about 12 get used at least on a semi-regular basis. Some of those lenses, like DA 10-17 and the DFA 100 Macro, are pure specialty lenses, and don't get a ton of use, but I'm sure glad to have them, as they can do things my more generalist lenses can't.
Minimalist kits, however good they may be, always involve trade-offs and compromises. Is your minimalist kit going to consist of zooms, or primes? If the former, you'll be sacrificing at least a bit of quality (and maybe lens speed) for focal range diversity. If the latter, they'll be huge FOV gaps in your system.
I think there's a simple rule to prevent the very worst excesses of LBA: only get and keep those lenses that (1) give you results that you are satisfied with and (2) that get at least semi-regular use. If you have lenses sitting around that are rarely, if ever used, then you are indulging in lens collection, rather than photography.
---------- Post added 12-10-14 at 08:09 AM ----------
Originally posted by Saltwater Images The trouble with my mishmash lenses were the SMC A and FA produced a warmer rendering than the DA lenses. I wanted consistency as well as a compact kit. Today I use the HD DA 21, HD DA 40 and am waiting on the HD DA 70
That's an interesting approach, and a smart way to achieve it. I actually prefer inconsistency of color rendering between various lenses, as it gives me more options. Then I can choose whatever lens best fits, in terms of focal range and color rendering, what I'm trying achieve with a given subject. (It also provides a convenient justification for owning more lenses!)