There are many but for this I will highlight the
SMC Pentax-M 50mm F4 Macro.
I picked this up from a local CL listing and wasn't really sure what condition it was in until I tested it on my K20D and other film bodies - I was pleasantly surprised.
I test all my lenses using a 4 X 4 arrangement of ISO 12233 res charts to determine just how high resolving it is given its unknown condition. The results from these tests are multiplied by 4. Using the K20D, I can establish a baseline by comparing it to results from others like DPREVIEW showing the 14.6MP K20D ideally attains about 24 ->
Pentax K20D Review: Digital Photography Review. My results below show the K20D+this lens achieves that wide open to F11.
But of course since I primarily use film, I also test it on my film bodies and in this case with Kodak Techpan @ ISO25 processed in Technidol and then scanned 4000dpi on Coolscan. As shown below, this combination achieves much higher results of about 30~36.
Since I have the Pentax Autobellows, I took a peak at the frame of film at about 4.5X magnification and as you can see from the far right blowup, this lens+film combination actually achieves an even higher 52.
Given these results, it is not likely to be the weak link - at least in terms of resolution, until a sensor of >50MP is available.
Full res version ->
http://www.fototime.com/A08A371F28ED137/orig.jpg
Armed with this knowledge, I can feel confident in shooting sharp film like Kodak Gold 100 knowing it will not be the limiting factor.
Even high resolving film like Fuji Velvia (ISO50) takes good advantage of this sharpness.
BTW, since this is not a factory fresh copy, I am still not sure if it is the lens or the film that is the limiting factor . . .