For me, primes fall into two specific catagories that I find really useful.
1. Macros, because the image quality is probably the finest you can achieve and they have a definitive function that no zoom can equal. I love my FA 50 macro and will probably buy a 100 macro in the future, I can't afford or find a FA*200 macro!
2. Long telephotos, because very long zooms tend to have much poorer performance and are usually so much larger and heavier. The FA*/DA*300 plus a decent TC is an excellent and very workable combo.
Otherwise, I find that the DA 16-45 (or 16-50) and either the 50-135 or hopefully the 60-250, fulfill almost all my needs. I would like to add a DA 12-24, I think I would find it the perfect street lens.
I've worked with fast primes for many years and have owned the FA*24 and FA 35 f2.0 and have used the 3 DA Limited pancakes and the FA 31 and 77 for considerable periods. I don't miss any of them one bit.
I switch focal lengths considerably and find working with primes and the mental complication of determining which lens will I use for each shot very restrictive. I hear all the comments about a prime will make you think more about your compositions etc., but I don't buy into that thinking! The nearest I got to liking a particular FL was with the FA* 24, but even then I often reverted back to my 16-45.
Another reason is that I hate carrying around a lot of kit and owning excessive hardware, I prefer minimalism.