Originally posted by longbow Maybe it's just because I've gotten a DA21, FA 31& 43 since I've got the 20-40, but the one that really put it on the shelf was the 16-85. Other than being light & small for a zoom, for me it's just lost it's shine. It's not a bad lens, it just doesn't do enough, well enough to choose it over these other lenses. It's been packaged back up and in closet for now, see if I miss it.
I'd like to use the 20-40 in the studio, where I currently use the Sigma 17-70 or DA40 limited. I'd enjoy the 20-40 for the (reported) near-prime IQ, Dc motor, decent aperture, and its killer looks (its main quality IMO). But maybe I'd be better served by something like a 24-70, or just a DA70 to go with my 40.
If the 20-40 produced starbursts like the DA21, I'd have replaced the latter by the former already.
Originally posted by longbow bdery: Agree, the DA16-85 is a exciting lens, it's been a big surprise how well it does.
It's really an impressive lens.
Originally posted by normhead The only thing I don't like about the 16-85 is the ƒ3.5 to ƒ5.6 as opposed to ƒ2.8 to ƒ4. Coupled with a DA* 60-250 my slowest aperture would be ƒ4. I'm simply not buying anymore lenses that go over ƒ4. I've got lots.
I find that the 16-85 and 60-250 pair very well. These are lenses made for outdoors, and they make a killer combo. In fact, the 6-85 has replaced the 60-250 in some situations (though far from all of them).
Originally posted by longbow What I found was I got better images with the 16-85 wider open than I did with the 20-40.
Yep, the 16-85 is fully usable wide open. It constantly impresses me. A little slow for inside (that's why I keep the Siggy) but as of now, it's my primary lens, the one mounted by default.