Originally posted by normhead SO here's what happens you need 120mm, but you only have 100mm and 200mm primes. So clearly you have to shoot with the 100mm lens and crop. My 60-250 is already equal to what you're going to get with the 100, but now you're cropping 20 %. SO in terms of resolution, you are getting 20% less lw/ph compared to my DA*60-250 image, yet, you are thinking that you're getting a better image because you are using a prime.
I would ask if you have a 100mm and a 200mm, why indeed do you need 120mm ? Is it because you exactly need the level of bokeh a 120mm lense would produce at that focussing distance, angle and with that background? Is it because you want exactly that level of perspective compression, 100mm not enough and 200mm too much? Or is it because you want that exact framing and there is no possibility to reframe it at 100mm by moving a bit ?
For me if I need 120mm framing, I'd say 100mm is perfect, even with a zoom. I find it better to frame a bit large, to get margins for post processing where correcting the lense, perfecting the horizon or the framing mean it is better to have a bit of margin on all side. Does it reduce quality? Well depend but is not usually lenses border that provide the maximum quality in particular at large appertures and on zooms. The cropping to 120mm will not really degrade the quality.
Now for me it is more when you have a 100 and 200mm and the subject is too big for 200mm that's for sure but you need really say 160-180mm. It is not easy to reframe by moving. Then you crop quite a bit from your 100mm and it is more difficult to say that the prime would maintain it's edge in picture quality.
At 141mm that's what you would get with a 12MP m4/3 body with the same lense. At 200mm that's what you would get out of a 1" sensor at 6MP. So yeah for maximum picture quality I'd avoid shooting a 100mm past 160-180mm if possible.
Originally posted by Flugelbinder I don't believe it's a fair comparison, the 55-300 with the 77 or the 100. I've just traded a 55-300 for a Takumar 70-210 and the later trumps the former in every way.
A better comparison would be the Tamron 70-200 (or maybe the 50-135)...
The thing is cropping will not change the lense rendering. The focus transistion would remain the same, the color rendering would remain the same, the flare resistance would remain the same, the constrast would remain the same... Just that you cropped more.
Also practically the lense will remain also smaller and lighter. Cropping doesn't change that neither.
If you did choose 1 lense over the other for theses qualities rather than just how it look when zoomed 10 time on your computer then it will keep theses qualities. If unfortunately your alternative zoom doesn't match that, it will not suddently start to have theses quality because you cropped your prime lense shoot a bit.
Once cropped you may be limited to 30"x40" prints instead of 40"x60" prints like you would be with maybe a 12MP camera anyway. True. That's not that bad.
I know that for my personnal point of view that the 50-135 doesn't render at well as the FA77. The 50-135 is likely as sharp at f/5.6 but the photos are just less pleasing. The overall rendering of FA77 is more interresting and that's why I sold the 50-135 and brought the FA77 among other things. The other aspect is the weight/size of the lense. FA77 is small, light unobtrusive. Even if you crop this FA77, the rendering is still better. I later on added an F135 and even both FA77+F135 I still get the same weight overall and smaller package. The F135 is no sharper than the 50-135, it as more CA but the rendering by itself, I would say it is better than the 50-135.
For larger shoot, I got the 15, 21 and 35. Theses lenses are very different than the 77 & 135. The last 2 have really great bokeh. the 35, 15 and 21 have really great contrast. Each of my lense render quite differently than the other so when I choose one I don't only choose the framing, I also choose this rendering as it is from the perspective, the bokeh, the contrast and the colors.