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06-14-2015, 12:16 AM   #16
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QuoteOriginally posted by normhead Quote
Those are such odd lengths 45 and 75. I wonder how they came up with those focal lengths.

No Pentaxians would be interested in something so out of the ordinary.
Not sure if you are joking, but...
They are basically equivalent of classical 85mm and 135/150mm on FF.
Then there are also Olympus 25/1.8, 17/1.8 and 12/2.0 for MFT, to cover the classical 50mm, 35mm and 24mm.

06-14-2015, 03:48 AM   #17
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QuoteOriginally posted by Kozlok Quote
We Pentaxians definitely have more of a lens-cult with our FAs and DAs. Prime lenses are the center of our world!
Even zoom crazies like me always carry at least 2 or 3 primes. Why would you leave the house without a 21 and 40 XS... what possible excuse could there be? and zoom macro just sucks.
06-14-2015, 06:50 AM   #18
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QuoteOriginally posted by normhead Quote
Why would you leave the house without a 21 and 40 XS
Cause I don't have one ................ So I take the FA 31 & FA 43 along with my F*300
06-14-2015, 07:06 AM   #19
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QuoteOriginally posted by Driline Quote
Cause I don't have one ................ So I take the FA 31 & FA 43 along with my F*300
Well, if you don't have them, that's why you need them.

06-14-2015, 09:19 AM   #20
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In the short Telephoto world it's hard to beat these three coveted A series lenses:

A*85/1.4
A*135/1.8
A*200/4ED Macro

Phil.

Last edited by gofour3; 06-14-2015 at 02:36 PM. Reason: Typo
06-14-2015, 10:24 AM   #21
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Pentax's secret formula

QuoteOriginally posted by 6BQ5 Quote
It makes me wonder if the idea of a trinity of lenses is unique to Pentax
The framelines in the old Leica rangefinder bodies
used to force a trinity on you,
either 35/50/90 on the M2 or 50/90/135 on the M3.

Now here is Pentax's secret formula:

Divide 35/50/90 by the magic number 1.16,
and you get 31/43/77 to within less than a millimeter!
06-14-2015, 10:36 AM   #22
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I'm lost. What is the significance of 1.16?*








* Is it some stonemason algebra or something?



Last edited by monochrome; 06-14-2015 at 10:47 AM.
06-14-2015, 10:49 AM   #23
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QuoteOriginally posted by monochrome Quote
I'm lost. What is the significance of 1.16?
The Japanese world view is that much wider than the German.
06-14-2015, 11:59 AM   #24
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So did Pentax experiment through trial and error to get to a reduction factor of 1.16 for their focal lengths?

I'm really curious about this. Do you have an article? An interview? I don't doubt you - just looking for more insight!
06-14-2015, 12:15 PM   #25
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QuoteOriginally posted by 6BQ5 Quote
So did Pentax experiment through trial and error to get to a reduction factor of 1.16 for their focal lengths?
I think it's more like Leica (Barnack and Leitz) got it wrong originally,
settling for 50mm rather than the true 43mm diagonal for a "normal" lens.
Pentax (Hirakawa) set it right: 50/43 = 1.16 (approximately).
06-14-2015, 02:34 PM   #26
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QuoteOriginally posted by officiousbystander Quote
Don't know if there's a prime Holy Trinity but there definitely is a dynamic duo:
Lumix 20mm 1.7
Olympus 45mm 1.8...
Those are the only m4/3 lenses I use, they do cover a lot of ground.

I think that Panasonic is aiming for a holy trinity for m4/3 with their `panaleica' lenses - the 15mm, 25mm and the 42.5mm. Recently, I've
been hoping that they will go for four and introduce a panaleica 67.5mm f/1.8.
06-15-2015, 03:34 AM   #27
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I think the m43 system has no three princesses because they have a lot of primes with similar aesthetics and good quality
(I don't know about lens character though because I never tried one.).

Olympus has 12 f/2, 17/1.8, 25/1.8, 45/1.8, 75/1.8.

Panasonic has 15/1.7, 20/1.7, and they also have the Leica-badged 25/1.4 and 42.5/1.2 Nocticron.

Voigtlander has 17.5/0.95, 25/0.95, 42.5/0.95, and the upcoming 10.5/0.95 (Yes they are all at f/0.95 and they are all manual).

I think Voigtlander lenses come close to Pentax Three Princesses but Voigtlander has an upcoming fourth lens.

Hope this helps to TS.
06-15-2015, 04:46 AM   #28
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QuoteOriginally posted by januko Quote
I think the m43 system has no three princesses because they have a lot of primes with similar aesthetics and good quality
Do non-FF lenses even qualify for this comparison? Crop lenses are so much cheaper to make.

Seb
06-15-2015, 06:26 AM   #29
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QuoteOriginally posted by bassek Quote
Do non-FF lenses even qualify for this comparison? Crop lenses are so much cheaper to make.

Seb
Of course. I'm asking to see if there are three princesses for other camera systems regardless of the sensor format. Price is not a consideration right now since I'm investigating lens character for now. However, on the side, the lenses aren't that much cheaper in most cases.
06-15-2015, 06:33 AM   #30
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QuoteOriginally posted by lytrytyr Quote
I think it's more like Leica (Barnack and Leitz) got it wrong originally,
settling for 50mm rather than the true 43mm diagonal for a "normal" lens.
Pentax (Hirakawa) set it right: 50/43 = 1.16 (approximately).
I've seen that written elsewhere, too. If that was the standard Pentax thinking, I wonder why they didn't develop a DA 28 Ltd as that would have been the FOV equivalent to the 43 for an APS-C camera.
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