Originally posted by Pål Jensen lot of explanation arround macro and magnification
First magnification... Every FF contain an APSC sensor inside... Just crop. Some FF do come with very similar pixel size than APSC is needed. So 36MP FF sensor is arround the 16MP magnification on APSC as well as 50MP magnification on FF is arround the same as 24MP on APSC... So all an APSC is going to do on macro vs an FF with similar pixel size is to give a narrower field of view with the same lense, but similar magnification.
Now, can you please explain us how macro is relevant for DA*200 or DA*300 ? Neither are macro lenses.
When we speak of equivalence this is always with something in mind... The most common assumption is to get the same framing with the same subject in focus and the same deph of field. For this, there clear equivalence: You can change lense for one 1.5x time shorter focal lense on APSC than on FF, and set the apperture 1.5x time more closed down on the FF than for APSC. This give you same framing, same subject in focus, same deph of field.
Of course if there no lense that exist in one format (or for say a similar price) that can offer the combination of focal length, focussing distance and apperture you need to get this equivalence, you can say this is not the same. This mean we are at the limits. This can be because you want macro but didn't manage to find 2 macro lenses, this can be because there lense with such focal length/apperture are quite expensive or do not exist.
For most picture through there no issue and it can be done because APSC and FF are near. It is not like we speak of 2/3" vs MF where one or the other would struggle to achieve same deph of field in practice for many shoots. But this doesn't change one bit the theory... this is just that you can't choose the apperture from 0 to infinite like you can't choose focal length from 0 to infinite.
But if I want to reproduce a shoot taken at 50mm on m4/3 f/4 and I happen to have an FF, I'll get something very similar with a 100mm lense and f/8... That's just things that are good to know when one switch format from time to time, need to plan to buy in a new format or wonder how he could reproduce the same picture made by a fellow photographer that happen to have a dfiferent sensor format.
The conclusion might very well be that it is not possible to get the equivalrent shoot because there no matching or affordable gear for it but we should not jump to this case until we are in this very situation in practice.
Last edited by Nicolas06; 07-19-2015 at 02:03 AM.