Originally posted by fwcetus Regarding the Tokina AT-X 400/5.6 SD AF - [...]
So, to illustrate, here are three 100% crops (unprocessed, from the center of the image) of a distant tree branch at f/5.6, f/8, and f/11 - [...]
It's pretty easy to see how, going from f/5.6 to f/11 allows the sharpness and contrast to both improve markedly.
Originally posted by tromboads You have to stop it down that much to get a clear result?
Bugger. Buy a Tair 3!
Hi, Tromboads. Your point
is actually my point (at least approximately). I owned the AT-X 400/5.6 only briefly (perhaps a couple of months or so) before selling it. Long before then, and then most of the time during those couple of months, and ever since then, my #1 lens was/is the F* 300/4.5 (with "similar" specs to the Tair 3 300/4.5).
I had posted three pairs of test images from my "short term" AT-X 400/5.6 experience here, earlier in this thread, to show what the lens
can do under the right conditions, and then I posted those last three (f/5.6, f/8, and f/11) images to illustrate my point that the lens does need a lot of light, because it really needs f/11 to shine.
My belief is that upsampled F* 300/4.5 images would match or even exceed what the AT-X 400/5.6 can do under most conditions.
I am also suggesting that using the F* 300/4.5 with the DA 1.4X (for 420mm FL) might also be equal to or superior to the AT-X 400/5.6 -- even if I had to stop the 300/4.5 down a bit, I might still have a faster effective f-stop with the TC than f/11.
All of this is why I still am using the F* 300/4.5 and no longer own that AT-X 400/5.6.