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11-10-2009, 10:06 AM   #181
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QuoteOriginally posted by Ponisch Quote
Sony A700 + Tammy 90/2.8


Ponisch! Nice to see you here. As always, great pictures from you!

Revuenon 55 mm 1,2

Dont know what to say about this lens. Its very usefull and makes good things in avalible light situations.

1/320 f1,2 ISO-100


1/250 f1,2 ISO-100


1/200 f1,2 ISO-100


1/400 f1,2 ISO-100


1/320 f1,2 ISO-100



Last edited by the swede; 11-10-2009 at 10:14 AM.
11-10-2009, 04:05 PM   #182
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Hey Swede, looks like you have fun with the Revuenon, great! I had the best experiences at f/2 as a very nice compromise, but I'm no macro guy anyway.

QuoteOriginally posted by knyghtfall Quote
Thanks George. For your shot, I'm guessing its slightly stopped down, and the aperture of that lens is elliptical, which is why the backlight bokeh is such an interesting shape?

Have just gotten the voigtlander 20mm as well, ...
Hey knyghtfall,
I envy your Voigtländers, but maybe some day ...
Comes to mind I actually have an M42 Voigtländer Color Ultron 1.8/50, but that's just a Planar copy (a brutal razor, horses for courses...)

About the Trioplan, it's not stopped down, and it won't do funny things with the aperture shape anyway cause it has the very old school preset aperture - multi-blades equally turned by hand, no springs involved. The elliptical shapes come from distortion getting larger towards the edge. In Abbazz's post here he says optical vignetting is the name for it. He also quotes astigmatism as the source of swirly bokeh. AFAIK astigmatism is also responsible to those rings and crosses on the Trioplan highlights. All in all a very bad lens :-)


Revuenon (a.k.a. Cosina) 1.2/55 @f/1.2 - typical coma wings on the upper edge. Hey that's not bokeh .-)

Last edited by georgweb; 11-10-2009 at 04:19 PM.
11-10-2009, 05:38 PM   #183
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QuoteOriginally posted by georgweb Quote

Revuenon (a.k.a. Cosina) 1.2/55 @f/1.2 - typical coma wings on the upper edge. Hey that's not bokeh .-)
Definitely a stunning picture, georgweb.

Cheers!

Abbazz
11-11-2009, 02:35 AM   #184
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QuoteOriginally posted by Abbazz Quote
Definitely a stunning picture, georgweb.
Cheers!
Abbazz
Thank you Abbazz. I remember what you did with the Porst 55/1.2 - why not bring on some more here?
Best, Georg (the other)

11-11-2009, 02:51 AM   #185
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Bokeh Masters - samples

My personal Bokeh Master is the
" Vivitar Series 1 105mm f2.5 Macro" Lens.
It is a lovely MF macro Lens with
finest optical and mechanical quality.
Some Samples with the Pentax K200D and the
Vivitar Series 1 105mm f2.5 Macro:









Regards,
Hartmut from Germany

Last edited by hs57; 11-11-2009 at 04:32 AM.
11-11-2009, 03:49 AM   #186
mer
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i really like the porst 55 f/1.2 wide open , this one on fuji velvia 50

11-11-2009, 04:51 AM   #187
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QuoteOriginally posted by mer Quote
i really like the porst 55 f/1.2 wide open , this one on fuji velvia 50

Great joyful capture! It is heartwarming to see pictures taken with film from time to time...

Cheers!

Abbazz
12-05-2009, 02:20 PM   #188
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Vivitar Series 1 90 mm f/2.5 Macro

It is Bokeh Master without any doubts.

Pentax PENTAX K20D,Vivitar 90 mm f/2.5 Macro
1/250s f2.5 90.0mm iso200


Pentax PENTAX K20D,Vivitar 90 mm f/2.5 Macro
1/80s f/2.5 at 90.0mm iso200


12-05-2009, 02:48 PM   #189
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Hello Junks,


Pentax SMC-M 1,4/50 f1,4 1/125 ISO100

BW

M;chele
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12-06-2009, 02:57 AM   #190
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awesome pictures guys !
12-06-2009, 03:10 AM   #191
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SMC Pentax K 50 f1.2
[IMGWIDELEFT]http://www.xjgarage.org/photos/qvmarket3/slides/PICT0487.JPG[/IMGWIDELEFT]

Last edited by J.Scott; 12-06-2009 at 06:25 AM. Reason: spellign eror
12-06-2009, 07:24 AM   #192
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Looking through this thread, one thing is clear:
The bokeh master is not the lens, but the photographer!
Well done guys!
12-06-2009, 08:49 AM   #193
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The FA*85 works for me!
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12-06-2009, 09:38 AM   #194
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...and the FA31!
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12-06-2009, 10:20 AM   #195
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My two favorite bokeh-shot:
DA55-300


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