Man I hate generalizations.
Originally posted by bargainguy If you're intent on capturing good images of wildlife from far away, I have two recommendations:
Quote: 1. Stay away from zooms of any sort.
Ignore this.
Quote: 2. Stay away from teleconverters, especially cheap ones.
The image resolution improvement on your subject is 40% with a Pentax TC, the loss in detail is estimated by Pentax engineers is 3%, the net gain is 37% improvement in subject detail. Those are the actual facts.
All you're doing adding a teleconverter is adding a few pieces of glass to your lens. It used to have 9 elements , now it has 14. Unless you're going to argue a 9 element lens is always better than a 14 element lens, this really doesn't make any sense.
Quote: Even the Siggy and Tamron 150-600 zooms are not that hot at the long end. I'd much rather see you get into a prime telephoto and work with mastering that.
The DA 55-300 is strongest at the long end. Nikon Canon and Pentax all make good quality telephotos that work very well with TCs. Maybe the advice here should have been, if you plan to use a TC buy pro quality glass.
Quote: Re #2, there isn't a teleconverter made that doesn't degrade the image somehow, and you lose light on top of it. A teleconverter matched to your prime is a better option but still degrades, even if slightly.
There isn't a long lens made that isn't slightly less sharp than a shorter lens of the same quality. The issue here is you lose a slight bit of resolution as you go longer. As mentioned above, the TC is just another few elements for your lens, and the degradation of the image is no where near the gain in resolution through magnification.
But long story short, If I can shoot with my 70 macro from 10 feet away as opposed to a 600 ƒ4 at 100 feet away, the 70 macro image will be sharper.
Quote: If you want to do this on a budget, consider older manual focus primes. Optics are generally quite good and force you to learn manual focusing technique, which would always be handy even with your AF lenses (fine tuning AF results manually).
Quote: There is no free lunch in the wildlife shooting world. Get a prime, avoid teleconverters if at all possible, and work on your shooting technique. That's where you need to be for best results.
I have my DA*60-250 with TC and an A-400. Bottom line, 1000 keepers in my library taken at 350mm (60-250 at full reach with the TC) 406 taken with the A-400. The big issue with the A-400 is purple fringing in backlit situations especially with a TC, I recently threw out a whole 45 minute shooting session and ended up with the DA*60-250 and TC and less resolution because the A-400 images were un-useable, because of purple fringing that went beyond 10 pixels wide. The A-400 isn't pro quality glass, but old pro quality glass is just as expensive as new pro quality glass.
So my advice if you want to go cheap is get a 55-300 with a plan to sell it when you get better, that is simply your best option. It's the best consumer grade lens out there. But be warned, because of low light focusing capacity, don't plan to use a TC with one. With absolute glaring sunlight, I can use a TC with a 5.6 lens, the 1.4 TC, not the 1.7, but you are right on the edge of functional AF.
If you do plan to go expensive, the DA*300 coupled with the 1.4 TC is the bargain. The 150-450 is the preferred, and the DA 560 ƒ5.6 is the goal.
Other lenses worth considering.. Sigma 500 ƒ4.5 and Sigma 300 ƒ2.8. Pentax FA* 250-600 or 600ƒ4.
Heres a 600 ƒ4 for you if you want to just go straight to the finish line.
That and a DA*200 2.8, and DA*60-250 and TC and you are so set for life.
If you stick to those lenses you're IQ is pretty much guaranteed to be pro-quality. And if you look at what you get for your money , the 55-300 is a steal.
Or you can of what I did, DA*60-250 with TC. I suffer in the long end, but infinitely more flexible. When I get really close to a bird, which happens sometimes, shorten the focal length, to maintain my preferred framing.
Remember what I said about closer is better. If you have a zoom, and your subject gets closer, you have an opportunity for a great image. If you have a prime, you have an opportunity for a head shot, or missed images while you change lenses.