Originally posted by DSLRnovice I saw a m50/4 macro at our local camera shop for a decent price. The reviews here are very positive, and yet one reviewer said that it was not corrected well for infinity. 100mm macros get good overall ratings and several have said that they work well for distance work. But is there a compromise for flatness of field favoring closeup with these also? Macro use for the 100mm would secondary for me.
I believe the design of these macros changed significantly around the "A" series where they started using floating elements in the 50mm macros and the "FREE" system in the 100mm macros. I'm not a lens design expert, but I understand this meant the lens design went from being "inert" where all elements move in unison forward or backward when focusing to some of them moving around (or staying put) in more clever ways as you changed focusing distance. This cleverness lets the lenses characteristics change as the focusing distance does, ideally to improve its performance at whatever distance you've got it set to (and possibly other benefits, weight, length, etc). This seems to be a turning point in when macros went from being sharp up close to being sharp across the board.
You can see exactly which of the Pentax Macros incorporate these designs here:
Pentax Normal Prime Lenses Pentax Short Telephoto Prime Lenses
For interests sake you can see some animations of inert lenses vs. more complicated systems here (for example figures 13 and 14):
Focal Length and Magnification, by Pierre Toscani Originally posted by DSLRnovice Would is make sense to buy 2 lenses? I might find a 2.8 non macro for less, and a f4 macro as well, both of which are easier to find. Or go with a Japanese dealer on Ebay and get a 100/2.8 macro.
I dunno, the obvious answer is to buy buy buy as many lenses as you can get
. Probably it's more economical to get one of the later macros (this includes the F/FA versions).
For what it's worth, here are a couple samples from my DFA100mm non-WR on my k100d used at distances. These were handheld (I was already lagging behind on a family vacation
), and taken by someone who doesn't really care much for landscape type things. On the left is the whole frame, on the right is a 600 pixel high crop from the top centre or top right to show the detail.
There are probably zillions of up-close samples of this lens out there, but I can post some if you really like. It's really pretty awesome up close. The only compromise I can see with this lens is some purple fringing when used wide open in high contrast scenes, otherwise it's truly the bomb.
It might be interesting to do a side-by-side distance comparison with my old m42 100mm f/4 macro. Don't hold your breath waiting for it to happen, but if I get time I'll give it a whirl vs. some very exciting trees across the road.