Originally posted by Nicolas06
But there no artifact, and no global loss of contrast and no internal reflections.
I agree. My DA Limiteds (15, 21, and 35) are, along with my DA 10-17, are my most flare resistant lenses, and are one of the (many) reasons I'm sticking with APS-C for the nonce.
Originally posted by nomadkng
I have been toying with the idea of an FA20-35, but I also owned one a couple years ago and ended up selling it because the red fringing was just plain bad, even at f16. I also wasn't fond of the "brown" leaning tones.
Flare control on the FA 20-35 is good, but not necessarily great. Not sure what "brown" leading tones means, but given that the FA Limiteds use much of the same technology (they are film lenses using Pentax's "ghostless" coatings, but lacking ED glass), I would expect a lens like the FA 31 to have similar color rendering to the 20-35. So that's a potential issue with the FA 31.
At this point of time, I really think that landscape photographers should be using lenses (particularly zoom lenses) that feature nano (or nano-like) coating technology. If you want glass for landscape photography that's going to give you the contrast and flare control comparable to Canon and Nikon professional glass provide, that's really the only way forward. And that means, once again, either the HD DA 24-70 or the HD DA 28-105.
And to conclude with a general remark. I'm noticing that a number of landscape photographers migrating to the K-1 are struggling to find the glass they need, and this is largely due to the lack of a wide angle zoom with filter rings in the DFA lineup. Given that the K-1 often considered a great landscape camera (perhaps even the best FF landscape camera currently available), it would seem that providing a wide angle zoom with filter rings should be a central priority for Pentax.