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12-08-2016, 06:21 AM - 1 Like   #16
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For some reason, that zoom range has never really appealed to me in APS-C. My Sony A6000 came with a 55-210, and it barely leaves the house. For me 200mm is usually not really long enough for wildlife and too long for portraits. Getting a fast 70-200 means size and weight, and a slow one is not all that great for portraits. The DA*50-135, with its exceptional quality, speed and size was far more useful on a cropped format, along with something longer for wildlife. Another thought is that the 55-300 is a much more versatile option.

On film, 80-200 was a go-to lens, and a fast 70-200 is again on the K1.


Last edited by GeneV; 12-08-2016 at 06:26 AM.
12-08-2016, 08:15 AM   #17
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Another vote for the Sigma 100-300/4
12-08-2016, 08:32 AM   #18
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I went through a similar process to you recently. I kept on searching for something in the 70-200 arena, but eventually came to the conclusion they were too big and heavy for what I wanted, so last week I bought a Pentax 55-300, which I got for a steal of £250 on Amazon uk.

12-08-2016, 10:25 AM   #19
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QuoteOriginally posted by scottmasterton Quote
I went through a similar process to you recently. I kept on searching for something in the 70-200 arena, but eventually came to the conclusion they were too big and heavy for what I wanted, so last week I bought a Pentax 55-300, which I got for a steal of £250 on Amazon uk.
Actually, that's a very good point. The higher ISO noise and dynamic range performance of current Pentax models such as the K-3II is excellent, and a slower lens needn't be much of a problem in many situations (depth of field limitations aside). Given that, the pre-PLM and new PLM versions of the 55-300 WR are very capable and excellent value for money. Plus, they're light and small enough to leave on the camera all day, if necessary

12-08-2016, 01:23 PM - 1 Like   #20
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full frame 70-200 are indeed massive size/weight - wise. Although you get a perk of people thinking you're a super pro photog wielding a huge zoom around
12-08-2016, 04:12 PM   #21
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QuoteOriginally posted by awscreo Quote
full frame 70-200 are indeed massive size/weight - wise. Although you get a perk of people thinking you're a super pro photog wielding a huge zoom around
The Tamron 70-200 is probably the smallest and lightest of the pro-style f2.8 zooms, FWIW.

I also own the 55-300, which is nice and compact, but does not compare optically to those zooms.
12-08-2016, 04:40 PM - 1 Like   #22
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QuoteOriginally posted by clackers Quote
The Tamron 70-200 is probably the smallest and lightest of the pro-style f2.8 zooms, FWIW.

I also own the 55-300, which is nice and compact, but does not compare optically to those zooms.
Coming from mft it was still a massive (literally) contrast

12-08-2016, 04:46 PM   #23
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QuoteOriginally posted by awscreo Quote
Coming from mft it was still a massive (literally) contrast
Oh, sure, but you're not shooting with a toy anymore.

Kidding! Kidding! I use even smaller sensored cameras with even smaller lenses from time to time ... Canon G7X, Samsung Mini-NX.
12-08-2016, 08:44 PM - 1 Like   #24
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QuoteOriginally posted by clackers Quote
Oh, sure, but you're not shooting with a toy anymore.

Kidding! Kidding! I use even smaller sensored cameras with even smaller lenses from time to time ... Canon G7X, Samsung Mini-NX.
Was about to start a holywar defending mft but then I woke up and remembered that I'm in a full frame camp now
12-09-2016, 06:19 AM   #25
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I think both lenses are good choices, but I'd opt for the Tamron primarily because it gives you the option of going FF at some point in the future, if you want. Not that you couldn't use the 60-250mm on a FF camera...but that's not what it was designed for.
12-09-2016, 07:18 AM   #26
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Thank you for all of your responses. I went with the Tamron 70-200 f/2.8. I found a used one at Adorama for a good price and included it with my K-3II order. The Sigma 100-300 in the marketplace here tempted me. I needed to get a lens for my son too, so I ordered the Pentax 55-300 to give him some range with his first lens.

Thanks.
12-09-2016, 07:50 AM   #27
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QuoteOriginally posted by awscreo Quote
full frame 70-200 are indeed massive size/weight - wise. Although you get a perk of people thinking you're a super pro photog wielding a huge zoom around

Not just weddings. A few weeks ago, walking on a beach with the K1/Tamron 70-200, a guy yells out to me "70-200/2.8, right?" When I nodded yes, he said "a pro."
12-09-2016, 08:18 AM - 4 Likes   #28
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My opinion backed up by my purchases, is that I really like the weight of the DA* 60-250 ƒ4. You still need a long lens for wildlife, but, to say you can't shoot wildlife with it is a bit of a stretch. Add the 1.4 TC to it and the focus breathing issue is somewhat alleviated.

Wildlife I've taken images of with the 60-250.

A bear, foxes, wolves, small birds, big birds.

It's not 600mm, but, niether is a 70-200. The one advantage to the 70-200 2.8s is, you can put a 2x TC on them. If you're not planning to do that the 60-250 will do nicely.

Not good enough or wildlife?











Or small birds




Well OK then, whatever. You still need something over 400mm from time to time, but the 60-250 is great way to compliment that.
12-09-2016, 01:32 PM   #29
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QuoteOriginally posted by GeneV Quote
Not just weddings. A few weeks ago, walking on a beach with the K1/Tamron 70-200, a guy yells out to me "70-200/2.8, right?" When I nodded yes, he said "a pro."
mm, i haven't mentioned weddings, haven't taken my lens to a wedding because I didn't want to end up working when I was suppose to be partying
But funny situation none the less
12-09-2016, 05:58 PM   #30
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QuoteOriginally posted by Digitalis Quote
Just throwing this out there: there is a Sigma 100-300mm f/4 APO EX DG for sale in the pentax market place for under 1K US. Even on APS-C, 200mm is a bit short for wildlife.
Isn't this the best 100-300 F4 lens ever made for Pentax? I only see glowing reviews of this lens.
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