I recently bought Ansel Adams' books "The Camera" and "The Negative". In the latter, he talks about a technique called "
prefogging", that is, give the film a little tiny bit of exposure under controlled conditions, then expose the desired image for better shadow detail. It made me wonder - mostly half-seriously only - whether leaving one frame of a 35mm film for a prolonged period behind the shutter of a camera with one of these lenses in it (especially in the days when shutters were all cloth) might have created this effect and helped "lift" some images, thus leading to the reputation some of those lenses enjoy.
Then again, this hypothesis could easily be disproved either by getting the same results digitally or shooting through a fresh roll of film really fast.