Everybody knows that some good old film-era lenses are affected by problems that were still there using film, but were not as evident.
CA and vignetting can be disturbing, though most of the times it's easy to deal with them in PP.
After this introductory bla-bla, and with all the due respect for state of the art sharpness, I confess that shooting with my new K-1 has brought me to opposite considerations.
Being a fan of vintage lenses, I don't own many uber-sharp optics, but I have a few of them, and when I decide to put to use my sharpest glasses, I'm often not impressed by the results.
Some of my lenses seem to be great if I go to 200% and pixel peep, looking for subtle details, but when I look at the whole image there is something wrong. I don't like the overall rendition and the transition from in-focus to OOF, the bokeh is ugly and the sunbursts look "artificial".
One example is the Sigma EX DG Macro 2.8/50mm. It is quite sharp, not as much as recent Zeiss optics, but I'm sure it still outresolves the 36Mpix sensor at central apertures. Though for some applications the minuses far outweight the pluses.
According to my taste, I'd never choose it for "general use".
My shooting experience with the K-1 seems to indicate that the new full frame by Ricoh-Pentax mates very well with the best vintage glasses.
Many times I consciously "shoot for bokeh", or choose to have a very thin DOF. Fast primes are the tools of choice.
Not much choice though (pun intended). The only brand new lenses that come to my mind are the Samyang 50mm, 85mm and 135mm, the Venus 105mm.
There are a few wides too, but I wouldn't use them very much (too short for most of the pictures I take).
In all sincerity, the lenses I appreciated the most since I bought the K-1 are quite old, and still competitive even shot wide open.
Down to pixel level their limits become evident, but really... it's not that terrible! You pay a small price in resolution and micro-contrast, to get a smooth, pleasing rendition.
I've been so impressed by a few vintage glasses that I'd never choose a sharper one. Which is good, as I already buy too many old lenses; can't start chasing ultimate sharpness, it would be a disaster!
If anybody got curious, these are the lenses that impressed me the most since I acquired the K-1:
Revuenon (Tomioka) 1.2/55mm
Leitz Summicron Canada 2/90mm (leitaxed)
Sigma Apo Macro 5.6/180mm
Tamron SP "Anniversary" 2.5/180mm
All of them are sharp enough, at least according to my taste/needs, have a great "pop" and a smooth bokeh, and have good ergonomics. The first two are in PK mount, and I use them in AV (I always shoot the 55mm wide open). The others are PKA, allowing to use almost all the functions of the camera.
I use all of them wide open, sometimes stopped down half or one value.
If the technique is not sloppy (not to be taken for granted!
), a straight conversion from Lightroom reveals a good amount of fine details, even scrutinized at pixel level.
Of course a side-by-side comparison with a picture taken with a state-of-the-art lens would show a visible difference. Though if we apply some corrections in PP and print the picture, even at generous size, I'm not sure which one would be chosen by the casual viewer.
I'd place my bet for the less sharp, smoother one!
Cheers
Paolo