Originally posted by monochrome The FA50/1.4 at wide apertures, renders with a classsic sharp center and softer edges, which promotes the central subject. The 50/1.7 at wider apertures is nearly evenly sharp across the fram ('flat'), which at the time was for flat copying on a copipod, sharp across the frame seems to be the more modern preference. By f/5.6 they are indistinguishable.
Wow I didn't know that. Maybe we should start new thread, comparing similar lenses, so that new budding photographers can get some info. It would be great learning experience for them. I mean there is a lens info page, maybe we need a lens comparison page. All that info you gave me, is really helpful. Thanks!
---------- Post added 06-24-17 at 11:21 AM ----------
Originally posted by Adam But the new 70-200mm completely crushes the 80-200mm wide-open, and at every aperture setting in the corners. Wouldn't recommend that one given the relatively low price of the DFA*.
Umm it's like 1600$ and the old FA* is 800$. Know what I mean?
---------- Post added 06-24-17 at 11:23 AM ----------
Originally posted by D1N0 OP needn't worry about that as he can afford neither
Lol maybe I can, in a couple of years. I'll buy a battered copy lol
---------- Post added 06-24-17 at 11:24 AM ----------
Originally posted by chuck_c You take amazing photos. You're good!