Originally posted by ogl I think and I know that:
1. DA35 is worse than FA31, FA35, FA43 and DA40 in terms of resolution.
2. DA35 is slower than FA31, FA35, FA43
3. DA35 is worse than FA31, FA35, DA40 and FA43 for portrait.
4. DA35 is not better than FA31, FA35, FA43 and DA40 for street photography and for landscapes, but a bit worse.
5. DA35 has very good construction - better than FA77 IMO
6. DA35 is very good macro lens with resolution better than DFA100 macro.
7. DA35 has very standart bokeh, in some situations not good.
8. DA35 has no any art, mystic or outstanding in end picture.
9. DA35 has very good contract and color
1. According to Klaus' test, sure, you've got some testable data to back you up. So I won't argue this (although my copy is as sharp as my DA 70).
2. Without a doubt, but this doesn't make it any worse of a lens. I rarely even go wider than f/4, so it's a matter of what pictures different individuals want to take. Faster doesn't equal better for everyone.
3. This assertion has no measurable value. So, you say it's worse, I say it isn't. There's no way to prove either of us right.
4. I can't argue it's better or worse for this, and neither can you. It's damn good in my experience. Again, what look does each individual photog want? What applications does he/she use it for?
5. I can't argue this as I have not held or used any other LTDs. besides the DA 70. I'll take your word for it here.
6. Again, I can't compare here as I've not had the DFA 100mm. I have had the Cosina 105, and the DA 35 seems clearly better to me.
7. Examples have shown this, I won't argue. But, one of "Pentax's Greatest Lenses," the FA 43 has been shown to have standard or even rough bokeh at times too. This isn't a deal breaker for me, for some (you, obviously) it is.
8. This is where your argument throws me a bit. This may be the most subjective aspect of a lens. I feel it renders beautifully, better than examples I've seen of the DA 40, FA 43 and FA 31. It's what I like. It's not what you like. Certainly, you can't presume that "art" and "mystic" are aspects seen in the same way by everybody (or even the same way by any two people).
9. I believe this too, but I don't believe that everyone will. Some feel it is too dark and saturated, I feel it nails colors right on. Again, it's all a quite subjective.
Ultimately, I guess the reason I keep responding to you is not so much to defend this lens as to push for more logic in the lens debates that occasionally occur here. I don't care so much if people don't like this lens, but when clear opinion is stated as fact, I get a little flustered.
Anyway, enjoy whatever lenses you (as in everybody) like best.
Todd